Another Russian strike has destroyed tens of thousands of Ukrainian books around Kyiv, adding to a summer of attacks that has wiped out millions of copies and damaged the warehouses, printing plants and markets that keep Ukraine’s publishing industry running.

Since Russia’s full-scale invasion began in 2022, Ukrainian publishers, printers, bookstores, warehouses and other parts of the literature industry have repeatedly been hit by Russian attacks. 

The destruction has drawn comparisons to earlier Russian and Soviet efforts to suppress the Ukrainian language, culture and national identity, with publishers and cultural figures warning that the current attacks are damaging not only businesses and infrastructure but the means through which Ukrainian culture is produced and preserved.

The latest loss came on 28 August, when a Russian drone struck a Nova Post fulfillment and sorting center in Sviatopetrivske, Kyiv Oblast. More than 60,000 books stored there were destroyed, including books belonging to Ukrainian publishers and retailers such as Vivat, A-BA-BA-HA-LA-MA-HA, Osnovy, Readeat and Book.ua.

The destruction is taking a growing toll on Ukrainian culture

Nova Post director Yevhen Tafiichuk said the strike destroyed the company's most modern robotic fulfillment center, along with books from several publishers and stores. He said the company is working with affected partners to compensate their losses and is moving toward a decentralized fulfillment system to reduce the risk of losing large inventories in a single strike.

“For centuries, the enemy has tried to destroy the Ukrainian language, culture and memory. Once, it burned libraries and banned printing; today, it launches missiles at printing plants and warehouses filled with books,” Tafiichuk said. 

The latest destruction comes after the Ukrainian publishing industry estimated that Russian attacks had already destroyed about 13 million books in July and August – nearly a third of the number of books Ukrainian publishers printed during all of 2025.

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Another warehouse full of books goes up in flames

The Sviatopetrivske strike hit a logistics facility rather than a publishing house itself, but the consequences spread across much of the book market.

Readeat founder Dmytro Feliksov said more than 60,000 physical books were destroyed and estimated his company's losses at more than UAH 23 million. The warehouse held stock for several publishers and booksellers.

Vivat CEO Yuliia Orlova said the publisher also lost books stored at the Kyiv warehouse in the attack. The company had already begun moving some print runs to other parts of Ukraine, including Lviv, after earlier Russian strikes destroyed publishing infrastructure. But many new releases and books by Ukrainian authors remained in Kyiv.

The same attack destroyed a warehouse used by A-BA-BA-HA-LA-MA-HA to fulfill direct orders. The losses came as publishers were already trying to spread their inventories across multiple locations to reduce the risk posed by Russian strikes.

Millions of books destroyed across Ukraine, publishers hit again and again

On 1 August, a Russian strike on the warehouses of RNK-Ranok destroyed nearly 8 million books, including hundreds of thousands of school textbooks. The Ukrainian Book Institute said the loss from that strike alone was equivalent to about 30% of the country's annual book production.

A separate Russian strike on 19 July destroyed the Konvi printing facility and about 250,000 books belonging to Knyholav, along with print runs and materials belonging to numerous other publishers.

BookChef has suffered some of the largest losses around Kyiv. A Russian strike in July destroyed about 800,000 books at its main warehouse. A second strike in August hit a backup warehouse opened after the first loss, destroying more than 100,000 additional books, Interfax-Ukraine reported.

The attacks have also damaged publishing offices and warehouses. On 16 August, Russian strikes near Kyiv’s Pochaina metro station damaged the offices and warehouses of BookChef and RM, including areas where books were stored.

Kyiv’s Pochaina market also burned

The damage is not limited to modern distribution centers.

On 16 August, a Russian strike set fire to Kyiv’s Pochaina book market, one of the capital’s best-known places to buy new, used and second-hand books. Much of the market burned, with the fire covering more than 2,000 square meters of commercial space.

The market, formerly known as Petrivka, had operated for about 30 years and was a major hub for second-hand books and other goods. Dozens of thousands of books were destroyed, according to local reporting.

The destruction was extensive enough that 60–70% of the market's commercial space was lost. The surviving Bukinist section began reopening later in August, with booksellers returning to trade where their stock had survived, RBC reported.

The market's destruction also meant the loss of a part of Kyiv's book culture that cannot simply be replaced by reprinting new editions. Second-hand books, older editions and used collections had been traded there for generations.

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Kyiv’s largest book market hit by Russian missiles

The losses are hitting an already fragile industry

The Ukrainian publishing sector had been growing before Russia's latest attacks, helped in part by rising demand for Ukrainian-language books during the full-scale invasion.

But publishers now face the repeated cost of replacing destroyed print runs, warehouses and equipment while also trying to keep books moving to stores and readers.

Olesia Ostrovska-Liuta, director general of Mystetskyi Arsenal, said the Ukrainian book industry had only recently begun to grow, making the latest losses especially painful.

“Losses are accumulating, while the tools to minimize them are being built extremely slowly,” she said. “Culture will not disappear, but it will once again be drained of its strength.”

Publishers seek help to rebuild and protect a supply chain under attack

The Ukrainian Publishing Association has called for additional support, including war-risk insurance for book stocks, affordable financing to rebuild printing capacity and the restoration of state purchases of books for libraries.

The Ukrainian Book Institute has also appealed for international support for the publishing sector, saying Russia has systematically targeted publishing houses, bookstores, printing facilities and warehouses since the start of the full-scale invasion.

For publishers, the latest strikes show that moving books from a printer to a reader has itself become a wartime vulnerability. A single warehouse can contain the output of dozens of publishers, and losing it can erase months of work and leave books unavailable even when the companies themselves survive.

Nova Post says it is responding by distributing inventory across more locations rather than relying on large centralized facilities. The strategy may help reduce future losses, but it also reflects how deeply Russia’s ongoing attacks have altered the basic infrastructure through which Ukrainians produce, store and buy books.

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The Embassy of Ukraine in the USA asked the Annapolis Symphony Orchestra (ASO) on 25 August to cancel Russian-born violinist Vadim Repin's participation in its Forces of Nature concerts on 6–7 November at Maryland Hall, citing his involvement in Russian state-sponsored and state-linked cultural initiatives.

Since 2022, Ukrainian diplomats have turned individual concert bookings into an object of foreign policy, arguing that a performer carrying Russian state honors and state money brings the state onto the stage with him. Western institutions have answered case by case rather than by policy, so every booking is renegotiated from scratch, and what one venue cancels, another can quietly restore.

The embassy said Repin performed with the State Kremlin Orchestra on 21 February 2024 at a concert the Kremlin Foundation staged for Defender of the Fatherland Day, a Russian military holiday, framed as a tribute to Russia's "great defenders." It said his Vadim Repin Foundation for the Development of the Arts has received substantial funding since the start of the full-scale invasion from Russia's Presidential Fund for Cultural Initiatives, a state-established institution supporting Russia's cultural policy.

The embassy's request comes four years after the Annapolis Symphony dropped Repin from a March 2022 program and staged a tribute to Ukraine in his place—a decision the orchestra said at the time reflected both the war and respect for Repin's apolitical stance and the safety of him and his family.

The orchestra has not addressed the reversal directly, but the program notes for the concert argue that Shostakovich wrote the concerto for Ukrainian-born David Oistrakh under Stalinist repression and that it "calls on listeners to reject the politics of revenge and hate while embracing the healing cycle of forgiveness." The embassy is asking ASO to reaffirm what it describes as the solidarity with Ukraine shown in 2022.

"We hope the Annapolis Symphony Orchestra will give these concerns careful consideration and reaffirm the solidarity with Ukraine it demonstrated in 2022, when it withdrew Mr. Repin from its program and replaced his performance with a musical tribute to Ukraine," the embassy said.

In March 2022, days after Russia's full-scale invasion began, ASO replaced Repin's planned appearance. The orchestra's then-executive director, Edgar Herrera, told WTOP that the decision was not only a response to the war but also "out of respect to Repin's apolitical stance and concerns for the safety of himself and his family."

The embassy noted that Germany's Mannheim Philharmonic, the Hungarian National Philharmonic, and Florida's Palm Beach Symphony have all reconsidered working with Repin this year, and that Palm Beach canceled his performance in March. Mannheim dropped a February concert after a request from Ukraine's embassy in Berlin, and the Hungarian orchestra replaced him at its Budapest season opening in June. A Change.org petition launched in June by Ukrainian Cultural Front DC had already called on ASO to cancel the November concerts.

Neither ASO nor Repin has commented publicly on the embassy's request.

Frontline Rolls, a documentary photography project by Ukrainian photographer Serhii Melnychenko, began in February 2025, when Serhii started sending disposable film cameras to soldiers serving in different areas of the front line. He asked them to document their daily lives, routines, and work.

The project has since been published as a standalone photobook and adapted into an exhibition, with photographs, handwritten letters, and artifacts returned by the participants. In 2026, it won the PhMuseum 2026 Photography Grant Main Prize.

The Ukraine War Archive calls Russia’s war against Ukraine the most documented war in history. Frontline Rolls records it from the soldiers’ own perspective through their photographs, letters, and chosen objects.

How Frontline Rolls began

Serhii spent nearly all of 2024 working on Along the Dnipro. Since he did not have time to travel to soldiers’ positions but wanted to document their experiences, he began looking for alternative ways. He asked himself one question:

“Do I really have to be there in person to document this?” Serhii writes in the foreword to the book, the project’s print format.

The answer was for the soldiers themselves to document their lives for a period of time. Serhii reached out to Fotovramci, which agreed to provide him with disposable film cameras free of charge.

The photographs that came back document the soldiers’ daily lives and the spaces in which they served.

Project participants also shared their stories in the book:

“I joined because I have to protect my family from the orcs. Before the full‐scale invasion I was an artist–designer, worked in advertising. Now a tank commander and reconnaissance pilot on a Mavic. In my free time I decorate shell‐casings and send them to volunteers for help,” says Oleksii, a soldier and participant in the project who goes by the call sign “Lapa.”

“For almost 3½ years I have remained in my soul a civilian. This system is very alien to me. In it I suffer a lot, in particular due to the huge restrictions on freedom. But I am here so that my country remains free. And for my values and convictions I have already paid a considerable price. If I had the option to choose another path—I would still choose this one,” says Oleksii “Photographer,” a soldier and project participant.

“I don’t have a callsign, because everyone knows me as Holikov. In the military since November 2023. From the very start of the full‑scale invasion I volunteered, but with each trip to the front I felt that I was doing not enough and decided to join the ranks of the 109th Separate Brigade of Territorial Defence,” says Viktor Holikov.

“In the army I... feel calmer. I have finally found a certain peace of mind during the full‐scale invasion, despite the difficulties. Partly I still feel that I’m doing not enough, but now it doesn’t haunt me like it used to,” says Kseniia, a servicewoman who goes by the call sign “Jane.”

“The army for me is, first of all, what is called brotherhood. It is hard to describe—you can only understand it by being inside,” says Danylo “Doc.”

The artifacts tell their own stories

Participants returned handwritten letters and personal objects with the exposed film. Serhii describes the resulting collection as a record of “personal experiences, struggles, and memories.”

“I collected artifacts that will remain part of our nation’s history after victory, reminding us of these challenging times,” Serhii says in the book.

Frontline Rolls travels beyond Ukraine

In 2026, Serhii also received the PhEST International Award in Italy, ex aequo with photographer Victorine Alisse.

The photographs were also presented in Copenhagen as part of The War They Live, an exhibition curated by The Kyiv Independent photo editor Irynka Hromotska together with Serhii. The project was also shown at the Athens Photo Festival in 2026. According to Serhii, the exhibition is also scheduled to open at Fotografiska Stockholm in October 2026.

“I sincerely hope that when the war ends, every participant in this project will be alive. Because each of them has become much more to me than just a contributor—they’ve become true friends,” Serhii concludes the foreword to the book.

[L'article Riposte canadienne aux tarifs douaniers américains – voici l’essentiel  a d'abord été publié dans InfoBref.]

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