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Wingtip from downed fighter jet flown by ‘ace of aces’ Richard Bong brought to US from South Pacific

Lockheed P-38 Lightning nicknamed ‘Marge’ and flown by Bong crashed in 1944 over what is now Papua New Guinea

A wingtip of a downed fighter jet once flown by second world war ace pilot Richard Bong has been taken to his home state of Wisconsin from Papua New Guinea, where it crashed more than 80 years earlier.

The piece of the plane named after the pilot’s girlfriend, Marge Vattendahl, underwent a remarkable journey by air, land and sea before its procurement by the Richard I Bong Veterans Historical Center in Superior, Wisconsin.

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© Photograph: AP

© Photograph: AP

© Photograph: AP

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Works Ukraine evacuated for safekeeping are caught not by Russian shelling but by Polish ownership claim in court

"Portrait of Roksolana" by an unknown artist of the 16th century. Source: Mykola Bendyuk

Paintings that Ukraine sent to Poland to save from Russian bombs may not come home. The heirs of Polish prince Andrzej Lubomirski are going to court to prevent the return of two paintings from the Lviv Historical Museum's collection to Ukraine, which were taken to Poland at the start of the full-scale invasion, Polish outlet Rzeczpospolita reported.

The dispute turns a wartime rescue into a legal trap. The two works are a 16th-century "Portrait of Roksolana" and "Portrait of a Young Man" by the artist Aloys Reichan, now held at the Museum of Central Pomerania in Słupsk. They were brought to Poland as part of efforts to safeguard Ukrainian museum collections threatened by the war, and were shown in an exhibition of treasures from the Lviv Historical Museum.

A lawyer for the Lubomirski heirs, Maciej Obrębski, has asked the Słupsk district court to bar the paintings' transfer until a court case concludes, arguing the heirs believe the works belonged to the Lubomirski collection and must stay in Poland. The Lviv Historical Museum holds the opposite position: the paintings are part of Ukraine's state museum fund and were removed to Poland only temporarily, for safekeeping during the war.

The rescue is the reason the paintings are at risk

The paintings are in Poland for the same reason Ukraine has been moving its cultural heritage across the country and abroad throughout the war: to keep it from Russian destruction. Ukraine has evacuated collections, dismantled monuments, and shipped artworks out of harm's way from Kramatorsk to Kherson, and sent works abroad for exhibition and protection.

The exhibition organizers framed the loan in exactly those terms.

"The exhibits were brought to Poland as part of efforts to ensure the preservation of Ukrainian museum collections threatened by the ongoing war. The presence of the collection in Poland guarantees its safety," they wrote of the show, "The Borderlands of Europe — from the Treasury of the Lviv Historical Museum".

The irony is sharp. Works sent to Poland precisely because Poland was safe are now the ones Ukraine may struggle to bring back, caught not by Russian shelling but by a Polish ownership claim in a Polish court.

Ukraine has been here before, in 2024

This is not the first time a wartime loan to Poland has drawn an ownership claim, and the earlier case shows how Ukraine responded. A similar situation arose in 2024 during an exhibition at the Royal Castle in Warsaw.

Then, after an analogous motion was filed, Ukraine removed the disputed exhibits back to Lviv ahead of schedule, and the court later refused to apply the requested protective measures.

The Lubomirskis are an old aristocratic house with claims across the border

The claim reaches back into the shared history that makes Polish-Ukrainian heritage disputes so tangled. The Lubomirskis were an influential princely family of the Polish-Lithuanian Commonwealth, holding large estates across what is now both Poland and Ukraine, and their members were patrons, politicians, soldiers, and collectors, according to Zahid.NET. 

In 1823, Henryk Lubomirski transferred his vast art collection to the Ossolineum institution in Lviv, and the Museum of the Lubomirski Princes was created on its basis as a separate part of the Ossolineum. That entangled history is the root of the present claim: collections assembled by Polish aristocrats in a city that was then part of Poland and is now part of Ukraine, whose ownership the two countries' institutions and heirs can read in very different ways.

The case sits against the backdrop of a fraught moment in Polish-Ukrainian relations, strained this year by disputes over historical memory. 

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“Putin droned Jesus Christ”: Far-right Trump ally who opposed Ukraine aid says she was wrong after visiting Kyiv

Laura Loomer, a far-right blogger and ally of US President Donald Trump at Kyiv's Lavra. Source: Laura Loomer X

An American activist who spent years repeating Russian talking points told her followers she had been wrong about Ukraine. Laura Loomer, a far-right blogger and ally of US President Donald Trump, shared her impressions with hundreds of thousands of followers after visiting the Kyiv-Pechersk Lavra and the Dormition Cathedral, damaged by a Russian drone strike. 

The visit is the public face of a documented reversal. Loomer long echoed Kremlin narratives and criticized US aid to Ukraine, and after a fact-finding trip to Kyiv in July 2026, she acknowledged she had been "propagandized by Russian media."

"I was living in a media echo chamber, and I was propagandized by Russian media on social media to believe those things. So I came to Ukraine to see the country for myself," she wrote.

The Lavra tour, alongside senior Ukrainian officials, was the culmination of that trip, which also took her to the mass graves in Bucha and through Russian strikes on the capital.

"Putin droned Jesus Christ. The Woke Reich and Russia don't want you to see this video..." Loomer wrote on X, attaching a four-minute clip recorded inside the Lavra's main cathedral.

Ukrainian officials welcomed visit

Loomer toured the Lavra with Deputy Prime Minister and Minister of Culture Tetiana Berehna and First Deputy Head of the Office of the President of Ukraine Serhii Kyslytsia.

The National Reserve said she was shown the Tower of St. John the Recluse, the Mystetskyi Arsenal building, and the Dormition Cathedral, all of which were damaged in the 15 June Russian attack, and was briefed on the restoration.

"It was interesting to sit down and talk to LauraLoomer and then to go to Kyiv-Pechersk Lavra on Wednesday," Kyslytsia wrote, thanking Loomer for "taking the initiative and traveling to Ukraine at this time."

Berehna framed it as a matter of witness.

"Russia is destroying Ukraine’s cultural heritage while Ukrainians simply want to live, create, raise children, and build our future. Thank you, Laura, for visiting Ukraine," she said.

Dormition Cathedral lost most of its roof

The site Loomer filmed carries a specific loss. The Dormition Cathedral lost more than 80% of its roof in the Russian attack, and over a dozen sites across the National Reserve were damaged.

The cathedral is not incidental to the war on heritage. The Kyiv-Pechersk Lavra is a UNESCO World Heritage site and one of the holiest places in Eastern Orthodox Christianity, founded in 1051.

A Russian strike damaging it is the kind of event Ukraine has documented across its cultural landscape: nearly 2,000 heritage sites damaged or destroyed since 2022, according to Ukraine's prosecutor general.

Russia's strike at the Kyiv Pechersk Lavra prompted condemnation from European foreign ministers. French Foreign Minister Jean-Noël Barrot said that "For us French, this would be equivalent to bombing Notre-Dame or the Basilica of Saint-Denis." 

Estonian Foreign Minister Margus Tsakhna said Russia had "once again demonstrated its barbarity and contempt for humanity's shared heritage," describing the Lavra as a UNESCO World Heritage site and "one of Christianity's holiest monasteries" that had "been a place of worship for nearly a thousand years."

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Russia’s construction on Crimea’s only World Heritage site exposed 500,000 artifacts. UNESCO has just declared complex is in danger

Crimea UNESCO site Khersones Chersonesus

UNESCO has officially recognized that Russia is destroying Crimea's only World Heritage site. The UN body added "the Ancient City of Tauric Chersonese and its Chora" to its List of World Heritage in Danger, Ukrainian Foreign Minister Andrii Sybiha announced on X. The decision was taken at the 48th session of the World Heritage Committee.

Chersonesus Taurica is an ancient Greek city founded by colonists in the 6th century BCE on the territory of modern Sevastopol, inscribed on the UNESCO World Heritage List in 2013, and the only site of world significance in Crimea, per Suspilne.

Since occupying Crimea in 2014, Russia has stripped the site of its contents. Ukraine's Defense Intelligence has documented Russia appropriating cultural artifacts from Chersonesus and other Crimean sites through unauthorized digs, with 178 items tracked in the "Stolen Heritage" section of the War & Sanctions portal by late 2025.

The frescoes, pottery, household objects, and icons taken from Chersonesus went to museums in Russia. Russian construction on the site, backed by illegal excavations, has unlocked access to up to 500,000 artifacts.

Site is target because of what it means

Chersonesus is where, by tradition, the medieval Kyivan prince Volodymyr was baptized in 988. This is the event Russian state ideology claims as the origin point of Russian Orthodoxy and, by extension, of a shared "all-Russian" history that absorbs Ukraine.

Russia has built its occupation narrative on that claim, making the Ukrainian site tell a Russian story, which is why Russian President Vladimir Putin personally backed turning it into the centerpiece of one of Russia's most ambitious propaganda projects.

That project is the "New Chersonesus" museum-and-park complex, opened in July 2024 on the grounds of the ancient site. Russian authorities built a sprawling development that includes museums, a Christian-themed park, an open-air theater, and reconstructed quarters, marketing it as a showcase of Orthodox and Russian civilization.

To raise it, Russian archaeologists and developers dug through the untouched layers of the ancient city, and the complex drew 700,000 visitors by October 2024, its foot traffic accelerating the destruction of the fragile archaeology beneath it. The result is a Russian-built theme park standing on, and made from the ruins of, a Ukrainian World Heritage site.

Russia built theater on necropolis

In 2024, Russian archaeologists and developers completely destroyed the authentic monument, building a new open-air theater on the site of the excavations, said Evelina Kravchenko, senior researcher at the Institute of Archaeology of Ukraine's National Academy of Sciences, per Ukrainska Pravda.

Russia substitutes new construction for original monuments, destroying their authenticity, Kravchenko said at the Crimea Platform expert network forum.

"Negative processes are now happening with the only monument of world significance that we managed to nominate and inscribe on the list of monuments in Crimea, with Chersonesus Taurica," she claimed.

What Russia presents as heritage preservation, Ukrainian experts describe as the erasure of the original under a replica.

Listing rests on documented violations

The basis for the UNESCO decision was Russia's documented conduct on the peninsula: illegal archaeological excavations, large-scale construction on the monument's territory and its protective zones, destruction of the archaeological context, and the illegal movement of cultural property, the President's Representative Office in Crimea explained.

The decision also called on the international community to strengthen cooperation to prevent the illegal circulation of cultural property originating from occupied Crimea. During the discussion, representatives of Poland, the Czech Republic, and Switzerland openly supported Ukraine.

One site in vast toll

Chersonesus is a single entry in a campaign against Ukrainian heritage that spans the whole war. Russia has damaged or destroyed nearly 2,000 Ukrainian cultural heritage sites since 2022, and looted over 7.8 million artifacts from museums in occupied territory since 2014, Ukraine's prosecutor general reported in June 2026.

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