A Surrogate Refused an Abortion and Fled to Texas. Now She Wants Custody of the Baby.

© LM Otero/Associated Press


© LM Otero/Associated Press

The Republican Senate candidate announced the plan with a graphic flagged as ‘Made with AI’
Ken Paxton, a Republican candidate for the US Senate in Texas, has unveiled plans to tackle the “negative impact” of datacenters amid a growing backlash across the political spectrum.
Paxton, endorsed by Donald Trump but facing a close contest against Democrat James Talarico, posted a “Texas first” datacenter plan on X with a graphic that the social media network flagged as “Made with AI”.
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© Photograph: Bob Daemmrich/ZUMA Press Wire/Shutterstock

© Photograph: Bob Daemmrich/ZUMA Press Wire/Shutterstock

© Photograph: Bob Daemmrich/ZUMA Press Wire/Shutterstock

The president’s border wall plan could damage or destroy ‘the oldest-known books in North America’
On an overcast summer morning, Carolyn Boyd, an archeologist at Texas State University, stood at the foot of a cave in west Texas, looking up toward a series of towering murals painted on a rock wall. Three massive human-like figures soared toward an overhang that had sheltered the painting from the elements since they were drawn here perhaps 4,000 years ago.
An artist herself, Boyd knows how hard it would have been to paint these long, crisp lines. Before starting, the bands of Indigenous hunter-gatherers who lived in this west Texas valley, where the Pecos River empties into the Rio Grande, would have spent weeks pulverizing gypsum, hematite, limonite and manganese to make paint. They would have gathered massive quantities of sotol stalks to fold its fibers into scaffolding. The painting itself would have required teamwork and precision, with people at the bottom guiding artists on the wall as they painted figures stretching up to 30ft tall.
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© Photograph: Roque Planas/The Guardian

© Photograph: Roque Planas/The Guardian

© Photograph: Roque Planas/The Guardian




© Aubrey Trinnaman for The New York Times


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© Nic Antaya for The New York Times


© Christopher Lee for The New York Times