Dans un premier temps, la balado retourne sur le terrain et part à la rencontre de femmes tellement inspirantes réunies lors d'une journée d'éducation populaire au Centre St-Pierre à Montréal. On retrouve ensuite les gens du magasine Spirale pour la présentation du nouveau numéro, le 293 ! Et Fred revient en finale sur les multiples couches de l'affaire Orélien qui secoue le monde de l'édition francophone.
Dr. Abdul El-Sayed, the Democratic nominee for Senate in Michigan, has been one of the most argued-over candidates this election cycle.
If he wins, he’d be the first-ever Muslim senator, and he’s faced a torrent of attacks about his faith. The race has also become a proving ground for a lot of questions about the Democratic Party and its future: What should U.S. policy toward Israel and the Palestinians be? Is the future of health care reform Medicare for all? Can a left-wing populist win in a state that twice voted for Donald Trump?
There’s been so much more heat than light in this race, so I wanted to invite El-Sayed on the show for a longer conversation. We talked about his upbringing, his views on U.S. foreign policy, his work on health care reform and what he would actually do if elected in November.
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris, Kate Sinclair and Kelsey Lannin. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota, Isaac Jones and Pat McCusker. Our recording engineer is Aman Sahota. Cinematography by Marina King and Kyle Kelley. Video editing by Dani Dillon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
Jensen Huang might just be the single most influential person in artificial intelligence today.
Huang is the chief executive of Nvidia, the company that designs nearly all the chips and infrastructure that the rest of the industry relies on. This has made Nvidia the most valuable company in the world and has made Huang incredibly influential in the Trump administration.
And unlike many of the leaders of the frontier labs, Huang doesn’t think A.I. could wipe out humanity. He thinks that the doomers are just scaring people, and that the industry doesn’t need new regulation at all. I wanted to hear how he saw it, so I flew out to Nvidia’s headquarters in Santa Clara, Calif., to talk to him.
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Kate Sinclair, Mary Marge Locker and Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones, Aman Sahota and Gautam Srikishan. Our recording engineer is Aman Sahota, with audio by Logan Heftel. Cinematography by Marina King, Kyle Kelley and Raymond Yuen. Video editing by Arpita Aneja and Dani Dillon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck, Jack McCordick and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
Fears of out-of-control A.I. have reached a boil over the last few weeks, and several industry executives have called for a coordinated slowdown of A.I. development. But if our goal is to control A.I. — and that should be our goal — slowing down isn’t enough. We need to stop the labs from doing something they’re already on the cusp of doing: recursive self-improvement, or handing over the training of A.I. models to A.I.
This episode of “The Ezra Klein Show” was produced by Marie Cascione, Emma Kehlbeck, Rollin Hu and Claire Gordon. Fact-checking by Marie Cascione, Isaac Scher and Julie Beer. Mixing by Isaac Jones and Aman Sahota. Our recording engineer is Aman Sahota. Cinematography by Marina King and Kyle Kelley. Video editing by Steph Khoury, Julian Hackney and Arpita Aneja. Original music by Pat McCusker, Dan Powell, Carole Sabouraud, Aman Sahota, Diane Wong, Sonia Herrero and Isaac Jones. Special thanks to Rebecca Shaid.
Our executive producer is Claire Gordon. Our senior engineer is Jeff Geld. The show’s production team also includes Annie Galvin, Kristin Lin, Jack McCordick and Jan Kobal. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
La balado entame sa 9e saison avec un épisode enregistré entièrement dans une ferme laitière de Saint-Armand alors que Fred part à la rencontre des frères Charles et Claude Benoit qui partagent au micro de riches réflexions sur leur vie, leur métier, sur l’état de l’agriculture au Québec et comment ils tiennent le fort dans un monde en implosion et une guerre tarifaire avec leurs voisins se trouvant à un jet de pierre de leurs fermes. Une rencontre marquante dans l’histoire de la balado de Fred Savard.
America is waking up to the critical risks posed by artificial intelligence. But every conversation about possible regulation tends to hit the same wall: “Well, what about China?”
Chinese A.I. models are just slightly behind American ones. If America slows down its A.I. development to make our models safer, the fear is that China will simply race ahead of us and own this critical technology of the future — with A.I. models that are less safe than our own.
So how should the United States respond to this prisoner’s dilemma? And is it possible that the two countries leading the A.I. race could actually strike a deal?
Matt Sheehan is a senior fellow at the Carnegie Endowment for International Peace. He’s been closely following the A.I. debate in China, and how China’s been interpreting the A.I. debate here. And he’s working to try to lay a foundation for future coordination between the two countries. He’s the author of a newsletter under his name and the 2019 book “The Transpacific Experiment: How China and California Collaborate and Compete for Our Future.”
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones, Aman Sahota and Gautam Srikishan. Our recording engineer is Aman Sahota. Cinematography by Marina King and Kyle Kelley. Video editing by Steph Khoury, Brandon Belk-Yee and Julian Hackney. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck, Jack McCordick and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
Cette semaine à l'émission Cyber Citoyen, Sam fait une plongée dans l'univers des "infostealers", ces logiciels qui infectent nos ordinateurs pour voler nos données confidentielles.
On discute de ce que c'est, comment ça fonctionne, quel est l'écosystème dans lequel cela existe et qui sont les cibles.
En deuxième partie, Catherine aborde Flock et les caméras de surveillance de masse.
Pour en savoir plus voici les présentations parlant d'infostealers mentionnées durant l'épisode:
Francis Fukuyama's “The End of History and the Last Man” is one of the most insightful books for understanding the strangeness and instability of this political moment.
Fukuyama wrote his landmark book more than 30 years ago, and it’s typically remembered as a triumphalist argument, heralding the permanent victory of liberal democracy at the end of the Cold War. But that’s not quite right. Fukuyama also talked about the serious weaknesses he saw in liberal democracy — how it may not fully satisfy the human soul — and his warnings feel very prescient now.
So I wanted to have Fukuyama on the show to talk through the ideas in his book and how he sees them today, at a time when liberal democracy seems increasingly imperiled around the world. Fukuyama is a political scientist at Stanford University and the author of a number of other great books of political theory, as well as a new memoir, “In the Realm of the Last Man.”
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris, with Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones, Aman Sahota and Gautam Sirkishan. Our recording engineer is Aman Sahota. Cinematography by Marina King. Video editing by Kristen Williamson, Dani Dillon and Brandon Belk-Yee. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
Behind the intense political movements of the last decade, from Trumpism to wokeness and back again, there’s a strange and erratic rhythm. Movements saturate the culture seemingly overnight, only to evaporate or spark backlash just as rapidly. We’re extremely politically engaged, yet we’ve rarely felt so powerless to create lasting policy change.
I haven’t seen many very successful attempts to explain what is driving this volatility. But one concept that has taken off recently, and captures what so many of us are feeling, is “hyperpolitics.”
The idea comes from Anton Jäger, a historian and contributing writer to New York Times Opinion. In his book “Hyperpolitics: Extreme Politicization Without Political Consequences,” Jäger theorizes what it means to live in a moment marked by hyper-engagement — high voter turnout, mass protests, trends that flare up and fade with extreme rapidity — yet where institutional trust is low, institutional relationships are decayed and people are disconnected from the structures that make political efforts stick.
I think Jäger’s theory cuts to the core of this political era. So I invited him on the show to break down what hyperpolitics is, how we got here and what it actually takes to build lasting change today.
This episode of “The Ezra Klein Show” was produced by Marie Cascione. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Gautam Srikishan. Our recording engineer is Aman Sahota. Cinematography by Marina King and Azamat Yakubov. Video editing by Dani Dillon and Arpita Aneja. Our executive producer is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
Whatever type of music you love, Rick Rubin has probably left his mark on it. Rubin, a founder of Def Jam Recordings and a former co-chairman of Columbia Records, might be the most influential music producer alive. A very partial roll call of the artists he’s worked with: Johnny Cash, Jay-Z, Run-DMC, Eminem, Beastie Boys, Slayer, The Red Hot Chili Peppers, Kanye West, Neil Diamond, Brandi Carlile and Adele.
We recorded this in 2023, after Rubin released a fascinating, unusual book, “The Creative Act: A Way of Being.” I’d expected stories of late-night sessions with famous musicians, but instead it read like a spiritual tract. Rubin was offering a guide to how to cultivate the mind states that lead to real creativity. And that’s what this conversation was about, too: how to open yourself up more to the world, and learn to trust your own taste.
Rubin’s advice feels more relevant with each passing year, as technology gets ever better at hacking our attention and the world fills with A.I. slop. So I wanted to share this episode again.
This episode of “The Ezra Klein Show” is produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld. Our recording engineer is Aman Sahota. Cinematography by Marina King. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. Special thanks to Jon Caramanica, Dan Charnas, Jack Hamilton, Felix Grimm, Carole Sabouraud and Kristina Samulewski.
Cette semaine, Cyber Citoyen et Polysécure unissent leurs forces pour parler de surveillance en milieu de travail. Ces logiciels qui enregistrent ce qui se passe à votre écran, qui captent ce que vous tapez au clavier et qui peuvent supposément évaluer votre humeur et même votre envie de vous syndiquer.
On aborde le cadre légal, les solutions qui existent et ce qu'elles permettent de collecter comme données.
A lot of things are on track to get more expensive.
The U.S. Treasury market is the bedrock of the global economy. When yields on those Treasuries go up, mortgages, car loans and credit cards get more expensive, and it can hit the stock market, too. And yields have been going up – to levels we haven’t seen consistently since before the Great Recession – inspiring some erratic and futile efforts from the Trump administration to push them back down.
So why are yields creeping higher? What is the administration trying to do about it? And if this continues, what’s in store for the economy?
Robin Wigglesworth is the editor of the Financial Times blog Alphaville, a host of the podcast “The Story of Money” and the author of the forthcoming book “A Fabulous Debt: The Epic Story of How Bonds Built the Modern World.”
This conversation was recorded on August 24, 2026.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Kate Sinclair and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our recording engineer is Aman Sahota. Cinematography by Marina King. Video editing by Kristen Williamson, Brandon Belk-Yee and Dani Dillon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck, Jack McCordick and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
In 2024, Americans spent an average of six full workdays a year filling out government forms, according to the government’s own estimates. That’s a total of 12 billion hours, or $430 billion of uncompensated labor a year.
It’s easy to read something like this and say: “Oh, well, government is inefficient. That’s the price we pay for nice things.” But no, it’s not. Social Security, Medicare and the Postal Service are incredibly complex programs that are easy to use. When government is hard to gain access to, it is often by design. Republicans want paying taxes to be a hellish hassle. Programs for the poor are often designed to humiliate, punish, control or scrutinize. How the government works is always a choice. When it works poorly, we should ask why — and we should demand better.
Annie Lowrey is a staff writer at The Atlantic and the author of the new book “The Time Tax: How the Government Wastes Our Time — and How to Fix It.” She is also, I should note, my wife, so this is a book whose ideas I have been living with for years. They have quietly infused more than a few episodes of this show. So it’s a thrill to finally get to explore them directly.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris, with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota, Johnny Simon and Isaac Jones. Our recording engineer is Aman Sahota. Cinematography by Marina King. Video editing by Brandon Belk-Yee, Dani Dillon and Julian Hackney. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
Brad Setser follows Chinese trade closer than just about anyone else on earth, and he thinks we’re in the early days of a China Shock 2.0.
The first China Shock was when China came to dominate low-end manufacturing in the 2000s, filling American shelves with cheap clothes, toys and electronics, while devastating American factory towns. This new China Shock could be even more destabilizing. China now dominates advanced manufacturing: electric vehicles, batteries, solar panels. It’s outcompeting nearly all high-end manufacturing around the world, and other countries are just starting to feel the pain. And China isn’t slowing down. It’s moving into software, too. Its frontier A.I. models are neck and neck with American ones.
China’s success poses a serious threat to the economies and domestic politics of countries around the world. So what should those countries do about it?
Setser is a senior fellow at the Council on Foreign Relations.He served in top trade and economic roles in the Biden and Obama administrations. And he is widely cited across the field as one of the top analysts of China’s economy and trade practices.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Kate Sinclair, Mary Marge Locker and Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Aman Sahota. Cinematography by Marina King and Kyle Kelley. Video editing by Dani Dillon and Brandon Belk-Yee. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck, Jack McCordick and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
We are living in the world we were warned about. Frontier artificial intelligence models from OpenAI autonomously coordinated with one another, then broke out of their testing environment and hacked into another company, Hugging Face, to steal the answers to a test.
A.I. companies don’t want their technology to lie, cheat or steal. So why is this happening? Why are the creators of these models apparently unable to control their creations? If A.I. development isn’t on a safe path — and it doesn’t seem to be — what do we do about it?
Helen Toner has been thinking about A.I. safety for a long time, from both inside and outside A.I. companies. She was part of the effort to fire OpenAI’s chief executive, Sam Altman, in 2023, which ultimately failed. Currently, she’s the executive director of the Georgetown Center for Security and Emerging Technology.
This episode of “The Ezra Klein Show” was produced by Rollin Hu and Jack McCordick. Fact-checking by Michelle Harris, with Kate Sinclair and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Johnny Simon. Our recording engineer is Aman Sahota. Cinematography by Marina King and Jonas Zellner. Video editing by Brandon Belk-Yee. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
We’re in a really strange moment in the foreign policy politics of the Democratic Party. People are looking for an alternative vision — an approach to American power in the world that would feel more moral and just, after the failures of President Biden, and the wrecking ball President Trump has taken to international rules and norms.
The answer many on the left are coming to is powerfully simple: international law. America could just start following the rules that we helped write. Is that possible? Is that enough? What would that even look like?
To talk through these questions, I invited Linda Kinstler on the show. She’s a member of the Society of Fellows at Harvard, a contributing writer at The New York Times Magazine, and the author of “Come to This Court and Cry: How the Holocaust Ends.” She’s done some incredible writing and reporting on whether what we’re watching is the death of international law. In this conversation, we talk about the Biden administration’s failures to live up to the principles it set for itself, the Trump administration’s campaign to destroy the International Criminal Court and what it would take to reinvigorate international law.
Mentioned:
“Are we witnessing the death of international law?” by Linda Kinstler
Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Kelsey Lannin, with Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Johnny Simon. Our recording engineer is Aman Sahota. Cinematography by Marina King. Video editing by Steph Khoury and Arpita Aneja. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
My colleague Ross Douthat is leaving The Times after 17 years to become a correspondent on “60 Minutes.” Before he goes, I’m asking him a few questions.
Douthat has had a unique vantage point on the news media and politics over the last few decades. He’s typically held the role of explaining the right to more liberal audiences, starting as an undergrad, when he was a conservative columnist for The Harvard Crimson. Douthat has also lived through the seismic changes in the media from the both the inside and the outside: He’s made his career at legacy media institutions, but I first got to know him – and spar with him – as an early-2000s blogger (and I have the 20-year-old Bloggingheads.tv clips to prove it).
So what does Douthat make of the transformations he’s lived through? How did blogging change journalism? How did a Republican Party powered by evangelical Christians become a political party dominated by Catholics and pagans? What has he learned about persuasion from writing for liberal audiences? And with the resources of “60 Minutes” behind him, will he finally crack the U.F.O. story once and for all?
This episode of “The Ezra Klein Show” was produced by Annie Galvin, Marie Cascione and Rollin Hu. Fact-checking by Kate Sinclair, Mary Marge Locker and Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Marina King. Video editing by Arpita Aneja and Julian Hackney. Our executive producer is Claire Gordon. The show’s production team also includes Jack McCordick, Kristin Lin and Emma Kehlbeck. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
Voici le 75e épisode du balado Cyber Citoyen. Cette semaine, Sam Harper et Catherine Dupont-Gagnon font le tour de certains sujets d'actualités liés à la vie privée et la cybersécurité.
On commence en parlant d'une situation aux États-Unis ou un activiste est menacé de prison pour avoir supprimer les données de son téléphone à l'aide d'une fonctionnalité du système d'exploitation GrapheneOS.
On poursuit avec la nouvelle que les russes sont présents dans le WiFi de l'hôtel. Microsoft a publié un rapport sur une campagne de piratage qui cible les clients des hôtels et c'est un bel exemple de techniques de piratage intéressantes. On vous explique donc ce qu'est la technique qui a été baptisée ClickFix ainsi que le "Device code phishing".
Pour terminer, on discute d'un document de relations publiques publiés par Flock Security, la compagnie préférée de Catherine. Si vous voulez savoir ce que Catherine pense vraiment de Flock, écoutez jusqu'à la fin!
The show’s executive producer, Claire Gordon, joins me in the studio to ask me your questions. Topics include: whether my views on “woke” issues have changed; the feedback we got on our episode with Chris Rufo; the D.S.A. insurgency; my first singing lesson; and the story that I’m in a “secret society” with Peter Thiel. Thank you to everyone who sent in questions; we read them all and wish we’d been able to get to more of them!
This episode of “The Ezra Klein Show” was produced by Claire Gordon, Kristin Lin and Emma Kehlbeck. Fact-checking by Michelle Harris and Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Kyle Kelley. Video editing by Dani Dillon and Steph Khoury. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Jack McCordick Rollin Hu and Emma Kehlbeck. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
What’s big and ugly and has united Republicans and Democrats? A.I. data centers.
An overwhelming majority of Americans say they’d oppose a data center being built near where they live. In New York, Gov. Kathy Hochul just imposed a one-year moratorium on data center construction, and there are over 100 other local or statewide moratorium proposals across the country. A.I.’s explosive momentum over the last few years seems to have finally run into a force that could slow it down: the messy politics of getting things done in the real world.
So, is that a good thing, or a bad thing? And how much is the data center backlash about the actual construction of these buildings, and how much is it about A.I. itself?
Jasmine Sun has an excellent newsletter covering both the culture inside the A.I. companies and the anger that’s been building against them. And she just finished a reporting trip in the Midwest, where she interviewed people on all sides of the data center fight. So I wanted to talk to her about what she saw and what she thinks A.I. companies can learn from the growing movement against them.
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Kelsey Lannin. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Kyle Kelley. Video editing by Brandon Belk-Yee, Steph Khoury and Arpita Aneja. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Jack McCordick, Kristin Lin and Emma Kehlbeck. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This column read was produced by Marie Cascione, Claire Gordon and Emma Kehlbeck. Fact-checking by Jack McCordick and Rollin Hu. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. Cinematography by Kyle Kelley. Video editing by Jan Kobal. The show’s production team also includes Annie Galvin, Michelle Harris, and Marina King. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
The first year of President Trump’s second term was a whirlwind of action: on immigration, on trade, on political retribution. But things seem to me to be slowing down quite a bit. Trump is incredibly unpopular, and he’s now bogged down in a war with Iran that he doesn’t seem capable of ending. He often appears more concerned with his many White House renovations than with whether the Republican Party can hold the House and the Senate in November. So what’s going on in this administration? Where is this all going?
It’s hard to think of a journalist more qualified to answer those questions than Maggie Haberman. As a White House correspondent for The New York Times, she’s published some of the hardest-hitting reporting about Trump’s second act as president and the group of loyalists that now surrounds him.
Haberman, alongside her New York Timescolleague Jonathan Swan, just published an extraordinary chronicle of this extraordinary political moment, “Regime Change: Inside the Imperial Presidency of Donald Trump.” In this conversation, we discuss how decisions get made in this White House, what Trump has achieved so far and what’s really motivating him as we head toward the midterms.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris, with Mary Marge Locker and Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Marina King. Video editing by Dani Dillon, Steph Khoury and Jan Kobal. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin and Emma Kehlbeck. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. Transcript editing by Kate Wilkinson and Marlaine Glicksman.
President Trump is very unpopular right now. But polls show the Democratic Party is just as unpopular – if not more so. So what can the party do about it?
But to answer that question, you first have to understand what the Democratic Party is. That is, mechanically, what is it? What powers does it have? When you call the Democratic Party, who picks up the phone? And how can that party, the official party, be reinvented for this era?
Ben Wikler has a unique perspective on this question. He transformed the Democratic Party of Wisconsin into a fund-raising, door-knocking powerhouse when he served as chair from 2019 to 2025. And he’s shared some of his insights from winning elections in a swing state in his new book, “This Is The Plan: How to End America's Meltdown and Save Democracy.”
In this conversation, we discuss Wikler’s vision for a reinvigorated party, as well as the kinds of changes he thinks Democrats need to embrace if they want to build a bigger tent and a national majority.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Kyle Kelley. Video editing by Steph Khoury and Arpita Aneja. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. Transcript editing by Sarah Murphy and Marlaine Glicksman.
Morris Katz helped orchestrate Zohran Mamdani’s historic victory and Graham Platner’s ultimately disastrous run for Senate. It’s quite a résumé for a political consultant who is still in his 20s.
Platner’s implosion could prove particularly costly for Democrats. It may mean the difference between winning and losing a Senate majority. But before the rape accusation that ended his campaign, Platner had come out of nowhere to beat Janet Mills, the sitting governor of Maine, who was Chuck Schumer’s hand-picked candidate. The lessons to take from that campaign remain angrily contested.
Katz, a senior adviser to Platner, has been central to many of the most attention-grabbing, populist campaigns in recent years: Besides Mamdani’s New York mayoral upset, he worked on John Fetterman’s 2022 Senate campaign and Dan Osborn’s 2024 independent Senate run in Nebraska. He has figured something out about this political moment. Along the way, he has become a controversial figure himself.
So what has he gotten right? And what has he learned from what he’s gotten wrong?
This episode contains strong language.
Ask Me Anything: We’re going to be recording an “Ask Me Anything” episode soon. If you would like to submit a question, email ezrakleinshow@nytimes.com with the subject line “AMA.”
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Rollin Hu, Annie Galvin and Marie Cascione. Fact-checking by Michelle Harris, with Kate Sinclair, Mary Marge Locker and Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon and Isaac Jones. Our recording engineer is Johnny Simon. Cinematography by Kyle Kelley. Video editing by Dani Dillon, Julian Hackney and Jan Kobal. Our executive producer is Claire Gordon. The show’s production team also includes Kristin Lin, Emma Kehlbeck, Jack McCordick and Marina King. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. Special thanks to Rebecca Shaid.
How Brian Eno expanded the possibilities of what music and sound can be.
Eno is a trailblazing musician and producer who’s worked on seminal records by U2, David Bowie, the Talking Heads and Coldplay, among others. But Eno isn’t just a great collaborator with other artists; he’s also a great collaborator with machines. Long before we started worrying about A.I. replacing human creativity, Eno was tinkering with generative systems to pioneer ambient music – a genre that has deeply influenced how we listen to music today.
We recorded this conversation in 2025, and it’s one of my favorite recent episodes of the show. So I wanted to resurface it this summer for anyone who may have missed it the first time.
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Mary Marge Locker, Kate Sinclair and Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. Transcript editing by Sarah Murphy. The director of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Alyssa Jane Moxley, Sophie Abramowitz, Geeta Dayal, Jack Hamilton and Victor Szabo.
You can’t understand China today without understanding its president, Xi Jinping.
Since coming to power in 2012, Xi has doubled down on communist ideology and significantly consolidated his own power while transforming China into an industrial juggernaut unrivaled in the world. And Xi’s ambitions for China go far beyond that.
So what does Xi want for China in the coming years? And how should the United States respond?
Kevin Rudd has a unique perspective on these questions. He first met Xi in the 1980s, when Rudd was a China analyst in Australia’s foreign service and Xi was a local party official. Decades later, when Rudd was the prime minister of Australia and Xi was China’s vice president, the two men got to know each other better. And after leaving office, Rudd decided to really try to understand Xi; his latest book, “On Xi Jinping: How Xi’s Marxist Nationalism Is Shaping China and the World,” is built off the doctorate he pursued at Oxford after his time as prime minister. Rudd recently finished a stint as Australia’s ambassador to the United States and is now the global president and chief executive of the Asia Society.
In this conversation, Rudd explains Xi’s ideology and the forces that shaped it, his ambitions for China and strategy for achieving them, and what Xi thinks of the United States and Trump.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Kate Sinclair and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Marina King. Video editing by Steph Khoury, Dani Dillon and Kristen Williamson. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck and Jack McCordick. Original music by Pat McCusker and Diane Wong. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. And special thanks to Joseph Torigian and Eyck Freymann. Transcript editing by Sarah Murphy and Marlaine Glicksman.
Already this summer, there have been huge wildfires in the Southwest and Great Plains and an extraordinary heat wave in Europe, as the world stares down the barrel of a powerful El Niño. Climate change is accelerating, and yet climate politics right now is in disarray.
But something else is happening, too. Advances in clean energy technology mean it is now possible to build a world of energy abundance that was the stuff of dreams just a few years ago. That means a new kind of climate politics is possible — one that doesn’t just talk about sacrifice and disaster prevention but also can present decarbonization as a path to somewhere better, where everyone has more, not less.
Bill McKibben is one of the best people at articulating that vision. He’s a founder of the climate action groups 350.org and Third Act, and he’s been at the vanguard of the climate movement for decades. His 1989 book, “The End of Nature,” is considered the first book on global warming written for a general audience. His latest book, published last year, is “Here Comes the Sun: A Last Chance for the Climate and a Fresh Chance for Civilization.”
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris and Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Kyle Kelley and Marina King. Video editing by Brandon Belk-Yee, Dani Dillon and Julian Hackney. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin and Emma Kehlbeck. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
The old solutions to the Israeli-Palestinian conflict don’t seem to fit the present reality.
A two-state solution feels increasingly impossible, given the scale of Israeli settlements in the West Bank and the Palestinian determination for a right of return. And a one-state solution, in which Israelis and Palestinians would live as equal citizens in a single state, is hard to imagine, given how strongly both peoples seek political self-determination.
But what if those aren’t the only options?
A Land for All is an Israeli-Palestinian initiative that is proposing a confederation model: two sovereign states, structured to allow freedom of movement between them. It’s a theory of peace based on neither separation nor unification. It holds, first, that both peoples have a relationship to and claim on all the land and, second, that both peoples want to control their own political destinies.
I have been — and am — skeptical of solutions to a conflict that is so devoid of the political conditions for a settlement. But even if you’re far from your destination, it’s worth knowing where it is you hope to go. So could this be an answer for both peoples? How would it handle the problems that have bedeviled previous solutions, from security and violence to religious extremism?
Rula Hardal and May Pundak are the executive directors of A Land for All. Hardal is a Palestinian citizen of Israel who received her doctorate in political science from the University of Hannover in Germany, and Pundak is an Israeli lawyer, activist and social entrepreneur. They joined me to explain how A Land for All would work and why they think it might succeed where so much else has failed.
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris and Kelsey Lannin. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Cinematography by Marina King and Eric Laplante. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin and Emma Kehlbeck. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. Transcript editing by Filipa Pajevic and Marlaine Glicksman.
What does it mean to celebrate America on its 250th anniversary?
The Trump administration’s festivities — from the U.F.C. fight on the White House lawn to the Great American State Fair — have centered American glory and greatness. What has been missing are the Americans who fought to move America closer to its promises. They had to love a country — or at least believe in a country — that often failed them. How did they do it?
Beneath that is a deep question for anyone who loves a country, or even loves another person: How do you love something in its wholeness, amid its imperfections and failures?
One person who is thinking deeply about how to do this is Bryan Stevenson. He’s a civil rights lawyer and the founder of the Equal Justice Initiative, which is based in Montgomery, Ala. E.J.I. has created a series of museums and sites in Montgomery that aim to examine America’s history of enslavement, racial violence and segregation, while also uplifting and honoring the people who endured these systems and fought to upend them.
The sites are remarkable to witness, as I found out when I visited Montgomery, and they hold America’s manifold truths in tension with one another — all its horror and beauty, tragedy and triumph, inhumanity and humanity.
I asked Stevenson how he’s thinking about America’s 250th birthday — and what work the country has left to fulfill its vision of liberty and equality for all.
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Kelsey Lannin. Audio by Jeff Geld and Johnny Simon Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Michelle Harris, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Marion Lozano and Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. Special Thanks to Sonia Kapadia, Tania Cordes, Danielle Carrasquero and the Equal Justice Initiative.
Christopher Rufo is arguably the most successful activist of the MAGA era. He rose to prominence fighting D.E.I. initiatives and critical race theory. In President Trump’s second term, he’s had a huge influence on policy, from Trump’s executive orders against D.E.I. and the attacks on the Department of Education to the ICE and C.B.P. deployments to Minneapolis.
Rufo, helpfully, calls his shots. He has published a guide, “The New Right Activism: A Manifesto for the Counterrevolution,” in which he argued for the value of “agitprop” and counseled that “political life moves on narrative, emotion, scandal, anger, hope, and faith — on irrational, or at least subrational, feelings.” But more recently, in his writing and on the podcast he co-hosts, “Rufo & Lomez,” he seems worried about the new right he has helped build: its attraction to conspiracy theories, its racialist thinking, its internal fissures.
So I wanted to have him on the show to talk about the problems he sees on his side, but also to interrogate whether he may have scored short-term victories while seeding profound long-term problems.
Rufo is a senior fellow and director of the initiative on critical race theory at the Manhattan Institute. He’s a contributing editor of City Journal and the author of “America’s Cultural Revolution: How the Radical Left Conquered Everything.”
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris, with Kate Sinclair, Mary Marge Locker and Julie Beer. Our senior engineer is Jeff Geld. Mixing by Pat McCusker, Efim Shapiro, and Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. Transcript editing by Kate Wilkinson and Marlaine Glicksman.
Avec le professeur Massimiliano Mulone de l’École de criminologie de l’Université de Montréal, on plonge dans la tourmente suite aux allégations graves de gestes racistes qui planent sur plusieurs policiers du poste 39 du SPVM. Avec le professeur Mulone qui travaille avec les corps policiers depuis longtemps, on fait un pas de recul afin d’élargir la réflexion sur le racisme présent au sein des forces policières et notamment les pratiques discursives utilisées pour freiner toutes tentatives de changement de culture.
En pleine période de déménagement partout au Québec, on reçoit la chercheuse Raquel Fernandez et l’essayiste Camille Toffoli afin de réfléchir au logement dans une perspective féministe à partir des réflexions contenus dans Chez Elles, un essaiinspiré du parcours féministe de Toffoli et de son implication dans la cause du droit au logement. S'entrecroisent également les réflexions de Raquel Fernandez sur la sécurité dans un marché locatif dont la violence frappe plus particulièrement les femmes à l'intersection de plusieurs réalités. Une réflexion importante au moment où le nombre de féminicides augmente sans cesse alors qu'un attentat raté contre des femmes défraie les manchettes pour les mauvaise raisons.
La vignette de l'épisode est inspirée de la couverture de l'essai et d'une des illustrations d'Isabelle Caron qui parsèment magnifiquement l'essai.
Dans cet épisode, on reçoit l’ex-journaliste Héloïse Bargain pour Basse-Cour: chronique d’une désillusion journalistique, un essai qui relate son passage dans le merveilleux (ou pas) monde du journalisme au sein du diffuseur public.
Helen Faradji témoigne dans sa chronique du rétrécissement de l’espace pour une critique du monde qui frappe le cinéma mondial.
A hypervisual, looks-obsessed, wellness-crazed, postliterate society where we’re constantly staring at screens and evaluating one another based on metrics, as the country around us feels like it’s falling apart: That sounds like the world we live in. It’s also the world Gary Shteyngart created in his 2010 novel, “Super Sad True Love Story.”
I’ve been thinking about the book a lot recently, especially with the rise of the “looksmaxxing” influencer Clavicular and the longevity guru Bryan Johnson, and this feeling that people are upset and agitated but grabbing at the wrong things to fix it. It feels uncannily like the experience of living inside Shteyngart’s novel.
But Shteyngart isn’t just a dystopian prophet, he’s also an expert at living well amid the world’s darkness. His forthcoming book, “The Sensualist: Adventures in Pure Pleasure,” is an essay collection about his efforts to do exactly that. So I wanted to have Shteyngart on the show to understand how he predicted so many of the grimmer aspects of our present, but also how we might delight in the world’s “endless buffet of pleasure” in spite of them.
This episode contains strong language.
Note: We’re recording an "Ask Me Anything" episode soon. If you have a question, please email ezrakleinshow@nytimes.com using the subject like "AMA." We'd love to hear from you.
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris with Mary-Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
Attention is working in really unusual ways this election cycle.
Graham Platner, a political unknown a year ago, ended up dominating his Senate primary against Maine’s sitting governor – even as his campaign was rocked by a series of scandals. James Talarico also seemed to come out of nowhere to become the Democratic nominee for Senate in Texas. Jon Ossoff has ginned up a ton of excitement as a potential 2028 presidential contender, in part because of his viral videos. Meanwhile, the former reality TV personality Spencer Pratt became a political star on X during his bid to become mayor of Los Angeles and yet failed to make the runoff.
All of this has a lot of lessons for how attention is working right now in American politics. So I wanted to have on my favorite person to talk to on this topic. Chris Hayes is the host of “All In With Chris Hayes” on MS NOW and the author of “The Sirens’ Call: How Attention Became the World’s Most Endangered Resource.”
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris with Julie Beer and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker and Aman Sahota. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
La balado s’est rendue au St-Jean Comédie Club de Québec pour un enregistrement devant public avec deux figures incontournables de la vie intellectuelle et littéraire de la vieille capitale: Catherine Dorion et Simon-Pierre Beaudet. Avec comme point de départ leurs essais respectifs Le courage et la joie et Hubris. Une histoire des années 2010, la discussion se déploie afin de nous offrir des réflexions riches et puissantes sur comment combattre la morosité et la montée du fascisme à grands coups de dialogues, d'attitude punk et de nihilisme.
On termine l’épisode avec la présentation du dernier numéro de la revue Liberté avec la co-éditrice Claire Ross.
La photo de la vignette est de Sandria P. Bouliane.
The Democratic Party is in the middle of a rupture over foreign policy – with Israel and Palestine at the center.
In recent weeks, the Democratic senators Brian Schatz and Chris Van Hollen both called for a break with the Biden administration’s policies toward Israel. Schatz said the next administration needs “a whole new crop of foreign policy staffers,” while Van Hollen went further, accusing Biden’s senior decision makers of “complicity.” And Gaza has become a central issue splitting Democrats in primaries around the country. It’s become such a profound fault line, it reminds me of how the Iraq war remade the Democratic Party years ago.
And Democrats face huge foreign policy questions beyond Gaza, too. Trump has taken a wrecking ball to the rules-based order, and the American public has become increasingly cynical about U.S. interventions abroad. Do Democrats want to try to restore what came before Trump? Is that even possible? Or is there a vision for something new?
Matt Duss is at the center of foreign policy thinking on the left. He’s the executive vice president at the Center for International Policy, previously served as Senator Bernie Sanders’s foreign policy adviser and is currently advising Representative Alexandria Ocasio-Cortez. So I thought he’d be the perfect person to ask: What would a left foreign policy actually look like? What would it try to do in the world?Mentioned:
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris with Julie Beer and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones and Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
Pour sa dernière chronique de la saison, Philippe de Grosbois décortique le discours entourant les « oubliés » du système économique et débusque ce qui se cache derrière.
Et on clôt l’épisode avec Laurence Guénette qui vient nous présenter le dernier numéro de Droits et libertés.
En bonus à la fin fin fin, un extrait prémonitoire de 1977 du grand Yvon Deschamps !
A new masculinist movement has gone mainstream on the right.
The prominent voices in this movement yearn for an earlier time, when men were men and women were women. Sometimes that time seems to be the 1950s, like when Tucker Carlson extols a world where men go to work and women stay at home. But sometimes it goes way farther back. The pastor Doug Wilson advocates household voting, in which men vote for their wives. And Costin Vlad Alamariu, better known as Bronze Age Pervert, harks back to the Bronze Age — specifically the ancient Hittite and Mitanni Empires.
Helen Lewis wrote a recent cover story for The Atlantic about this new antifeminist backlash, which she calls “the single most important force holding together the American right.” So I wanted to have her on the show to talk about these ideas, the political program of this movement and how seriously we should take it.
Lewis is a staff writer at The Atlantic and the author of “Difficult Women: A History of Feminism in 11 Fights” and “The Genius Myth.”
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris and Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones and Johnny Simon. Our recording engineer is Kyle Grandillo. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
Over the past month, there have been two dominant stories in American foreign policy. One, of course, is the war with Iran. The other is the much-anticipated summit between President Trump and Xi Jinping of China. And I think if you look closely at both of these stories, you see that our foreign policy has entered into a period of absolute incoherence.
I’m not even sure what the status of the Iran war is at this point. What is Trump trying to achieve? What is he willing to accept?
Taking a more hawkish approach to China has been a core and consistent principle of Trump’s since his first term. He’s been insistent that China has taken advantage of the United States and that America needed to change that dynamic and flex more power. But is that happening? Is that even Trump’s position anymore?
So I wanted to do an episode looking at China and Iran and trying to assess Trump’s foreign policy in general and the ways he’s remaking what America means on the world stage.
Ian Bremmer is the president and founder of Eurasia Group, a political risk research and consultancy firm, and the global affairs publication GZero. He’s also the author of, among other books, “Every Nation for Itself: What Happens When No One Leads the World.”
This episode of “The Ezra Klein Show” was produced by Rollin Hu and Annie Galvin. Fact-checking by Michelle Harris with Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon and Isaac Jones. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker and Carole Sabouraud. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
President Trump doesn’t seem to care that much about winning the midterms. He’s more unpopular at this point in his second term than basically any of his modern predecessors. Democrats seem poised to retake the House and have a real chance of retaking the Senate. You might expect a president in that position to pivot to the center, to focus on voters’ top concerns and try to boost the strongest Republicans in key races.
Trump isn’t doing any of that. Instead, he announced a $1.8 billion slush fund to pay out “victims of lawfare,” he threatened to re-escalate the Iran war, and he intervened in Republican primaries in ways that are gifts to Democrats, like endorsing the scandal-plagued Ken Paxton over the incumbent, John Cornyn, in Texas’ Senate race.
Why doesn’t Trump seem to care more about winning?
Liam Donovan is a Republican strategist and a president at Targeted Victory, a Washington public affairs and digital marketing firm. He has worked on the National Republican Senatorial Committee and for Cornyn. In this conversation, we discuss the moves Trump is making, the rough political environment for Republicans and what the paths to Democratic victories look like.
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris with Julie Beer and Mary Marge Locker. Our senior engineer is Jeff Geld. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.
À l'occasion du 30e anniversaire de la loi québécoise sur l'équité salariale, la balado propose une discussion en compagnie de Jérémie Hains-Pouliot et Maria Allen Demersde la CNESST afin de mesurer tout le parcours historique qui a mené à l'élaboration de cette loi ainsi des défis actuels qui l'occupent. Un épisode pour célébrer le chemin parcouru et comment cette loi demeure pertinente plus que jamais dans un monde en mutation.
What are the conditions that enable a country to become great — or great again? The Trump administration — and other right-wing movements in other countries — offers a vision of greatness based on power and domination abroad, and a mix of shared national and religious stories at home. And that vision is clearly appealing to a lot of people. Liberals in the U.S. and elsewhere have been struggling to tell a story that can compete.
What story would Yuval Noah Harari tell? One of the through lines of Harari’s best-selling books — “Sapiens,” “Homo Deus,” “Nexus” — is the huge role that stories play in shaping the arc of history, driving humans to cooperate on a grand scale to achieve great things, or divide violently against one another.
So I wanted to ask him about the stories that the U.S. and Israel, in particular, seem to have embraced right now. What does history tell us about the power of this story? And why does the liberal story seem so weak right now?
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris, with Julie Beer. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones and Johnny Simon. Our recording engineer is Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker and Aman Sahota. Audience strategy by Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Dans cet épisode, la professeure Mélissa Thériault nous présente l’étonnant Utopie Laurentiana, recueil de textes de science-fiction du terroir canadien-français.
Et en 3e partie, le chercheur de l’IRISGuillaume Tremblay-Boily nous partage ses observations sur l’inquiétante militarisation de l’économie canadienne qui ne fait l’objet d’aucun dans la société.
Et on termine l'épisode avec un succès souvenir brûlant d'actualité !
Catherine, Sam et Nicolas-Loïc ont clairement de la difficulté à demeurer dans le sujet cette semaine.
On commence à parler de campagne de désinformation en Amérique Latine, pour basculer sur la nature de la gauche et de la droite en politique et la fameuse fenêtre d'acceptabilité sociale d'Overton.
On poursuit avec un topo sur Flock et les risques que cela pose pour la vie privée pour ensuite parler de Grok et de code morse. Ça dérape un peu mais on réussi éventuellement à revenir aux gens de partout dans le monde qui s'unissent pour diffuser de la désinformation sur le séparatisme albertain.
La conversation a été considérablement abrégée pour ce balado. Pour entendre le tout sans aucune censure, écoutez-nous en direct sur Twitch.tv/cathdg
We have entered a world of maximum gerrymandering warfare. Any guardrails that once existed, from the Constitution or the courts, have been bulldozed over the last decade – most recently in the Supreme Court decision that gutted the Voting Rights Act and made it harder for minorities to challenge racially discriminatory voting maps.
Red and blue states alike have been aggressively trying to redraw their congressional maps in response to all these developments. And there is no sign that will end in 2028; legislatures will just continue trying to tweak their lines to squeeze out advantage for whatever party is in power. And competitive districts in this country – already an endangered species – now teeter on extinction.
That is, unless something dramatic changes.
Lee Drutman is a senior fellow in the political reform program at New America. He’s one of the most persistent and thoughtful advocates of selecting House members through proportional representation – a system used in many other countries that would make gerrymandering much more difficult. He’s the author of the 2020 book “Breaking the Two-Party Doom Loop: The Case for Multiparty Democracy in America” and writes the newsletter Undercurrent Events.
This episode of “The Ezra Klein Show” was produced by Claire Gordon. Fact-checking by Kate Sinclair, Julie Beer and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Pour une 3ème année consécutive, la balado a la chance de vivre un congrès de l’ACFAS, le 93e qui se tenait à l’UQTR. On ouvre l’épisode avec le président Martin Maltaiset la directrice-généraleSophie Montreuil avec qui on discute du modèle périmé des universités telles qu’on les connait aujourd'hui et comment on peut les amener ailleurs.
Jonathan Martelnous fait découvrir les travaux du professeur et chercheurOlivier Bégin-Caouetteavec qui on discute du grave problème de la non-mobilité de la population estudiantine internationale et comment ça impacte une collectivité comme le Québec.
Mélissa Thériault nous présente la chercheuse Jessie Morinavec qui on discute de l’organisation d’un colloque sur le féminisme en humour et on clôt l’épisode avec le retour à la balado du professeurJohannes Frasnelliqui dans le cadre du colloque, présentait une expérience déroutante à la Cathédrale de Trois-Rivières en compagnie du chercheur et organiste italien Federico Andreoni qui nous offre une surprise à la toute fin !
What do you do when you feel anxious or insecure? Many of us try to push the feeling away, or we ruminate on it, or try to solve it, or avoid the thought altogether. But what would happen if we did the exact opposite?
The Buddhist nun and teacher Pema Chödrön is the author of many beloved books, including “When Things Fall Apart,” “Welcoming the Unwelcome” and — my personal favorite — “Comfortable With Uncertainty.” And she has a way of inviting people to befriend the parts of life that typically induce dread — from uncertainty and suffering to loss and discomfort. And she argues that the process of sitting with these experiences and emotions actually releases their power over us. In a time as chaotic and tumultuous as ours, she has so much practical wisdom to share.
In this conversation, she shares what it looks like to actually let go of difficult emotions, the art of “collaborating with reality” when things don’t go as expected, and how to awaken yourself to the “nowness” of life.
This episode of “The Ezra Klein Show” was produced by Kristin Lin. Fact-checking by Kim Freda. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Michelle Harris, Rollin Hu, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Diane Wong, Dan Powell and Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
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