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‘A first step to fascism’: critics denounce Trump administration replacing slavery exhibit at George Washington’s ​home

16 juillet 2026 à 07:00

Replacement of panels with version that’s sympathetic to enslavers comes amid effort by Trump to dismantle diversity initiatives

Critics say the Trump administration acted under the “cover of darkness” to replace an exhibit exploring the lives of nine enslaved people who lived at George Washington’s ​Philadelphia home with a version that is overly sympathetic to enslavers and that whitewashes the country’s origins.

The installation of new information panels followed a six-month fight between the city of Philadelphia and the Trump administration over an enslavement memorial at the President’s House, the former home of both Washington and his presidential successor John Adams.

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© Photograph: Tassanee Vejpongsa/AP

© Photograph: Tassanee Vejpongsa/AP

© Photograph: Tassanee Vejpongsa/AP

  • ✇US news | The Guardian
  • ‘We know the truth’: Philadelphians fight Trump’s erasure of history
    Over the last six months, activists have ensured the US doesn’t forget enslavement in the nation’s first capitalOn an overcast day, Tiffany Cooper, a visitor, snapped a photo of a panel about an enslaved woman at the President’s House in Philadelphia, Pennsylvania. The remainder of the brick wall was blank, with bolts serving as the only reminder of the other panels that once stood there.As a Black woman, Cooper said that she felt a deep sadness at the “incompleteness” of the exhibit. It once de
     

‘We know the truth’: Philadelphians fight Trump’s erasure of history

10 juillet 2026 à 10:00

Over the last six months, activists have ensured the US doesn’t forget enslavement in the nation’s first capital

On an overcast day, Tiffany Cooper, a visitor, snapped a photo of a panel about an enslaved woman at the President’s House in Philadelphia, Pennsylvania. The remainder of the brick wall was blank, with bolts serving as the only reminder of the other panels that once stood there.

As a Black woman, Cooper said that she felt a deep sadness at the “incompleteness” of the exhibit. It once detailed the lives of nine enslaved Africans who served George Washington when Philadelphia was the US capital in the 1790s.

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© Photograph: Matt Rourke/AP

© Photograph: Matt Rourke/AP

© Photograph: Matt Rourke/AP

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