La balado reçoit le professeur-agrégé Jonathan Durand-Folco pour une plongée dans son dernier essai Le fascisme tranquille: Affronter la nouvelle vague autoritaire paru chez Écosociété. La discussion permet d’aborder la démarche intellectuelle qui guide l'auteur alors qu’il tente de comprendre les mécanismes qui préludent à l’instauration de l’autoritarisme dans la vie démocratique américaine et québécoise.
La discussion permet d’aborder la démarche intellectuelle qui guide l'auteur alors qu’il tente de comprendre les mécanismes qui préludent à l’instauration de l’autoritarisme dans la vie démocratique américaine et québécoise.
The holidays are an unusually social time, filled with parties and family get-togethers. But for most of the year, we feel isolated and unsatisfied with our social lives. Our society isn’t structured to support connection year-round. So it’s an apt time to re-air this episode — a conversation with the writer Sheila Liming about rediscovering the lost art of hanging out.Liming is an associate professor of professional writing at Champlain College and the author of “Hanging Out: The Radical Power
The holidays are an unusually social time, filled with parties and family get-togethers. But for most of the year, we feel isolated and unsatisfied with our social lives. Our society isn’t structured to support connection year-round. So it’s an apt time to re-air this episode — a conversation with the writer Sheila Liming about rediscovering the lost art of hanging out.
Liming is an associate professor of professional writing at Champlain College and the author of “Hanging Out: The Radical Power of Killing Time.” In the book, Liming investigates the troubling fact that we’ve grown much less likely to simply spend time together outside our partnerships, workplaces and family units. What would it look like to reconfigure our world to make social connection easier for all of us?
I spoke to Liming in April 2023. But I find that this conversation provides a clearer sense of what’s gone wrong in our social lives — and how to make “hanging out” with others more fulfilling.
Note: We're still gathering questions for an upcoming "Ask Me Anything" episode we'd like to record. If you have any questions for Ezra, please email ezrakleinshow@nytimes.com using the subject line "AMA."
This episode of “The Ezra Klein Show” is produced by Annie Galvin, with Jeff Geld, Rogé Karma and Kristin Lin. Fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair. Mixing by Jeff Geld. Original music by Isaac Jones. Audience strategy by Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero and Kristina Samulewski.
En ouverture, une discussion sur un sujet encore tabou : L’enterrement en linceul avec Claire Charron et Stéphanie-Ann Brisson du collectif En terre Outaouais qui sont accompagnées de la chercheuse en sciences biomédicales et thanatologie expérimentale de l’UQTR Emily Pecsi. En 2ᵉ partie, le médiéviste en devenir Maxime Laprise se demande si le Moyen-Âge est queer et si le fascisme des années 30 est trendy aujourd’hui. Caroline Fortin, rédactrice-en-chef du magazine Continuité vient nous présen
En 2ᵉ partie, le médiéviste en devenir Maxime Laprise se demande si le Moyen-Âge est queer et si le fascisme des années 30 est trendy aujourd’hui.
Caroline Fortin, rédactrice-en-chef du magazine Continuité vient nous présenter le #186 et on termine l’épisode avec Claudia Fiore-Leduc et Emmanuel Cree de l'Organisation populaire des droits sociaux qui viennent nous exposer comment s'articule le démantèlement du filet social québécois.
On Monday night, in front of a live audience, I talked to Fareed Zakaria about the different political age he believes we’ve entered. Zakaria is the host of “Fareed Zakaria GPS” on CNN and the author of the 2024 book “Age of Revolutions: Progress and Backlash From 1600 to the Present.” To mark the release of the book in paperback, Zakaria invited me to have this conversation at Symphony Space in New York City. We discuss the “revolution” we may be living through, the forces driving it, and how
On Monday night, in front of a live audience, I talked to Fareed Zakaria about the different political age he believes we’ve entered.
Zakaria is the host of “Fareed Zakaria GPS” on CNN and the author of the 2024 book “Age of Revolutions: Progress and Backlash From 1600 to the Present.” To mark the release of the book in paperback, Zakaria invited me to have this conversation at Symphony Space in New York City. We discuss the “revolution” we may be living through, the forces driving it, and how the Democratic Party can adapt.
Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.
You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris, with Kate Sinclair and Mary Marge Locker. Our senior engineer is Jeff Geld. Mixing by Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck, Marina King and Jan Kobal. Original music by Dan Powell and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
On est de retour pour un autre épisode collaboratif Polysécure et Cyber Citoyen.Cette semaine, nous discutons des bienfaits pour la sécurité d'utiliser un bloqueur de publicités.Ensuite on parle d'une enquête qui révèle les risques que posent les données vendues par les databrokers.Le lien vers l'article publié par L'Écho: https://multimedia.lecho.be/telephone-localisation/On termine avec un fraude qui cible des commerçant·es à travers les avis sur Google. Hébergé par Acast. Visitez acast.com/pr
Patti Smith, “the Godmother of Punk,” has lived a wild life and accumulated so much wisdom in the process. In the 1960s and ’70s, Smith was a fixture of the New York City creative scene — hanging out with the likes of Bob Dylan, Janis Joplin, Allen Ginsberg and Robert Mapplethorpe. Merging her own poetry with an ace backing band, she became a global rock star. Then she gave it up, moved to Michigan, raised a family, and remade herself into a best-selling author. Her stunning memoir “Just Kids” w
Patti Smith, “the Godmother of Punk,” has lived a wild life and accumulated so much wisdom in the process. In the 1960s and ’70s, Smith was a fixture of the New York City creative scene — hanging out with the likes of Bob Dylan, Janis Joplin, Allen Ginsberg and Robert Mapplethorpe. Merging her own poetry with an ace backing band, she became a global rock star. Then she gave it up, moved to Michigan, raised a family, and remade herself into a best-selling author. Her stunning memoir “Just Kids” won the National Book Award and is one of the books that I’ve kept returning to, again and again.
There is clearly something unusual about Smith. People who know her have described her as “shamanistic.” But even for those of us who will never become rock stars, there’s something inspiring — and oddly relatable — in how she thinks about life. So I was excited to have the opportunity to sit down with her and learn more.
Smith is out with a new memoir, “Bread of Angels,” and is on tour for the 50th anniversary of her breakthrough album, “Horses.” We talk about that book and that album and so much more: the boundless curiosity that drives her; the books that shaped her; her childhood communion with a snapping turtle; what Andy Warhol was like; what color she thinks the soul is; and a lot more that’s hard even to describe.
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Annika Robbins. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Michelle Harris, Marina King and Jan Kobal. Original music by Pat McCusker and Carole Sabouraud. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Caryn Rose.
Dans ce 9ᵉ épisode, le sociologue Philippe De Grosbois analyse l’impact politique de la prolifération des panels de discussion dans les émissions d’actualité et comment cet impact tend à favoriser l'émergence de l'extrême-droite. Sa réflexion s'articule à partir de deux évènements marquant des dernières semaines : L’emprisonnement de l’ex-président français Sarkozy et l’élection à la mairie de New York du socialiste Zohran Mamdani.En 2ᵉ partie d’épisode, on brosse un portrait des Democratic Soci
Dans ce 9ᵉ épisode, le sociologue Philippe De Grosbois analyse l’impact politique de la prolifération des panels de discussion dans les émissions d’actualité et comment cet impact tend à favoriser l'émergence de l'extrême-droite. Sa réflexion s'articule à partir de deux évènements marquant des dernières semaines : L’emprisonnement de l’ex-président français Sarkozy et l’élection à la mairie de New York du socialiste Zohran Mamdani.
En 2ᵉ partie d’épisode, on brosse un portrait des Democratic Socialists of America dont est issu Mamdani.
Is this the future of MAGA?Tucker Carlson’s interview with the white nationalist influencer Nick Fuentes has caused a firestorm on the right. Carlson and Fuentes’s friendly chat about American Jews — whether they fit into this country or were loyal to Israel above all — was the kind of conversation that for decades would have been unimaginable among mainstream figures in politics. And by crossing that line, Carlson was making a statement — about the power of Fuentes’s movement and the future of
Tucker Carlson’s interview with the white nationalist influencer Nick Fuentes has caused a firestorm on the right. Carlson and Fuentes’s friendly chat about American Jews — whether they fit into this country or were loyal to Israel above all — was the kind of conversation that for decades would have been unimaginable among mainstream figures in politics. And by crossing that line, Carlson was making a statement — about the power of Fuentes’s movement and the future of MAGA.
To help me think through this, I wanted to talk to the political writer John Ganz. He’s studied the roots of antisemitism on the right and has followed the evolution of MAGA closely. He’s behind the newsletter Unpopular Front and the author of “When the Clock Broke: Con Men, Conspiracists, and How America Cracked Up in the Early 1990s.”
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Ashley Braun. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Democrats’ case for the government shutdown was just starting to break through to voters. Why fold now?Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html This column read was produced by Kristin Lin. Fact-checking by Jack McCordick. Our senior engineer is Jeff
Democrats’ case for the government shutdown was just starting to break through to voters. Why fold now?
Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This column read was produced by Kristin Lin. Fact-checking by Jack McCordick. Our senior engineer is Jeff Geld, with mixing by Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Michelle Harris, Rollin Hu, Marina King, Emma Kehlbeck and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
Sam H et Cath DG de retour dans le studio pour un épisode format classique de Cyber Citoyen.On parle de la Chine qui tape sur les réseaux de fraude organisés et condamne des fraudeurs à la peine capitale.Les browsers qui utilisent l'IA "agentique", les risques pour la sécurité que ça implique et les efforts pour mitiger ces risquesLe mot de passe du musée du LouvreMeta veut nous micro-cibler encore plus intensément à l'aide de pubs 100% IAAnimation: Catherine Dupont-GagnonMontage: Sam HarperIndi
On reçoit l’autrice Annvor Seim Vestrheim pour son essai Incels, du clic à l’attentat, une plongée glaçante dans l’univers des incels où la violence contre les femmes est érigée en système politique. En chronique, Helen Faradji en profite nous présenter une réflexion étoffée sur la figure de l’incel dans la cinématographie américaine, bien avant que le concept même soit développé par la sociologie. Et en fin d’épisode, Mégane Desrosiers vient nous présenter le dernier numéro de Lettres Québécois
On reçoit l’autrice Annvor Seim Vestrheim pour son essai Incels, du clic à l’attentat, une plongée glaçante dans l’univers des incels où la violence contre les femmes est érigée en système politique.
En chronique, Helen Faradji en profite nous présenter une réflexion étoffée sur la figure de l’incel dans la cinématographie américaine, bien avant que le concept même soit développé par la sociologie.
Et en fin d’épisode, Mégane Desrosiers vient nous présenter le dernier numéro de Lettres Québécoises.
Democrats won big on Tuesday. It looks like the MAGA coalition has started to crack.Ezra is joined by his column editor, Aaron Retica, to discuss the big lessons for Democrats as they eye the midterms next year, and whether an anti-MAGA playbook is coming into focus.This episode contains strong language.NOTE: We're recording an "Ask Me Anything" episode soon. You can send your question to ezrakleinshow@nytimes.com with the subject line "AMA." We'll consider any questions submitted on or before t
Democrats won big on Tuesday. It looks like the MAGA coalition has started to crack.
Ezra is joined by his column editor, Aaron Retica, to discuss the big lessons for Democrats as they eye the midterms next year, and whether an anti-MAGA playbook is coming into focus.
This episode contains strong language.
NOTE: We're recording an "Ask Me Anything" episode soon. You can send your question to ezrakleinshow@nytimes.com with the subject line "AMA." We'll consider any questions submitted on or before the morning of Monday November 11 at 10am ET.
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris, Kate Sinclair and Marie Cascione. Our senior engineer is Jeff Geld. Mixing by Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Épisode bonus en compagnie de Louis-Philippe Lampron, professeur de droit à l'université Laval, où l'on tente de comprendre les motivations réelles derrière le projet de constitution québécoise du gouvernement Legault et comme ce projet (et les lois spéciales adoptées sous bâillon) devraient inquiéter la société civile québécoise
Épisode bonus en compagnie de Louis-Philippe Lampron, professeur de droit à l'université Laval, où l'on tente de comprendre les motivations réelles derrière le projet de constitution québécoise du gouvernement Legault et comme ce projet (et les lois spéciales adoptées sous bâillon) devraient inquiéter la société civile québécoise
Democrats don’t just need to win more people; they also need to win more places. And that requires a different kind of thinking.Mentioned:"How Liberalism Wins" by Ezra KleinThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.htmlThis episode of “The Ezra Klein Show”
Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Claire Gordon, Marie Cascione and Kristin Lin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld. Our executive producer is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Isaac Jones.
Un épisode en 3 temps où on découvre d’abord les suggestions de lectures de la prof de philo féministe Mélissa Thériault Katrie Chagnon et Catherine Lavoie-Marcus viennent nous présenter le #290 de Spirale: Danse et dépense Et au coeur de cet épisode, la plongée de Godefroy Laurendeau dans le monde l’IA, de ses balbutiements dans les années 40 à l’éclatement de la bulle spéculative qui semble poindre devant nous. En prime, des voix de robots complètement psychotroniques !
Et au coeur de cet épisode, la plongée de Godefroy Laurendeau dans le monde l’IA, de ses balbutiements dans les années 40 à l’éclatement de la bulle spéculative qui semble poindre devant nous. En prime, des voix de robots complètement psychotroniques !
Israeli forces still occupy half of Gaza. In the cease-fire deal, Israel agreed to fully withdraw its presence there once Hamas fully demilitarized. But Amit Segal thinks that’s unlikely to happen anytime soon. Instead, he believes Gaza will end up divided. So what does that really mean? What are the implications?Segal is the chief political analyst for Channel 12 News in Israel and is known to be quite close to the Netanyahu government. He writes the newsletter It’s Noon in Israel and is the au
Israeli forces still occupy half of Gaza. In the cease-fire deal, Israel agreed to fully withdraw its presence there once Hamas fully demilitarized. But Amit Segal thinks that’s unlikely to happen anytime soon. Instead, he believes Gaza will end up divided. So what does that really mean? What are the implications?
In this conversation, he talks about why most Israelis don’t see the cease-fire as the end of the war between Israel and Hamas and how this conflict is mapping onto Israeli politics — both at present and as the country looks toward its next elections.
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris, Kate Sinclair and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck, Marina King and Jan Kobal. Original music by Pat McCusker and Aman Sahota. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Transcript editing by Naomi Noury.
On le sait, on ne sort pas ce balado super régulièrement ces derniers temps. On s'en excuse. Heureusement que notre ami Nicolas-Loïc du balado Polysécure est là pour nous garder sur la bonne voie.Pour ceux et celles qui comptent, l'épisode crossover numéro 8 n'a pas été publié sur notre feed. C'était un enregistrement live au GoSec.Dans cet épisode, on fait un suivi de notre application préférée, Tea, on parle d'une étude réalisée pour évaluer la fiabilité de l'IA générative à résumer des articl
On le sait, on ne sort pas ce balado super régulièrement ces derniers temps. On s'en excuse. Heureusement que notre ami Nicolas-Loïc du balado Polysécure est là pour nous garder sur la bonne voie.
Pour ceux et celles qui comptent, l'épisode crossover numéro 8 n'a pas été publié sur notre feed. C'était un enregistrement live au GoSec.
Dans cet épisode, on fait un suivi de notre application préférée, Tea, on parle d'une étude réalisée pour évaluer la fiabilité de l'IA générative à résumer des articles d'actualité et on termine avec une histoire de hacker utilisant la technologie de façon créative dans une prison roumaine.
Bonne écoute!
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
À quelques jours des élections municipales du 2 novembre, on prend un pas de côté pour réfléchir à la richesse de cette vie politique municipale qui constitue une laboratoire sociale d’une grande valeur.Avec les chercheurs et chercheuses André Blais, Philippe Dubois, Emmanuel Choquette et Sophie Lachance du Centre pour l’étude de la citoyenneté démocratique (CECD) ainsi que la chaire de recherche du Québec sur la démocratie, le vivre-ensemble et les valeurs communes, on tente de comprendre tout
À quelques jours des élections municipales du 2 novembre, on prend un pas de côté pour réfléchir à la richesse de cette vie politique municipale qui constitue une laboratoire sociale d’une grande valeur.
The “Democratic penalty” should scare the hell out of Democrats.The Democratic Party brand has become toxic in certain parts of the country, especially with working- class voters. The Center for Working-Class Politics has actually measured this so-called “Democratic penalty,” and found it’s in the double digits in some Rust Belt states.So what should Democrats do about it?One theory says that Democrats were once economic populists and just need to be again. Another theory says that the working c
The “Democratic penalty” should scare the hell out of Democrats.
The Democratic Party brand has become toxic in certain parts of the country, especially with working- class voters. The Center for Working-Class Politics has actually measured this so-called “Democratic penalty,” and found it’s in the double digits in some Rust Belt states.
So what should Democrats do about it?
One theory says that Democrats were once economic populists and just need to be again. Another theory says that the working class feels left behind and looked down on by a Democratic Party that has moved sharply left on culture, on climate, on guns, on immigration.
Jared Abbott is the director of the Center for Working-Class Politics, which has done a lot of research and polling on working- class voters. So I asked him on the show to talk through these theories and what it would take for Democrats to once again be the party of the working class.
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
President Trump’s deployment of the National Guard from red states into blue cities isn’t just a partisan attack; it’s also a geographic one. In the 2024 election, Donald Trump won rural areas by 40 percentage points. And you could see what’s been happening in Washington, D.C., and Chicago as a rural political coalition militarily occupying urban centers. The rural-urban divide in America has become so big it’s dangerous — for our politics, and for democracy. And yet, just a few decades ago, thi
President Trump’s deployment of the National Guard from red states into blue cities isn’t just a partisan attack; it’s also a geographic one. In the 2024 election, Donald Trump won rural areas by 40 percentage points. And you could see what’s been happening in Washington, D.C., and Chicago as a rural political coalition militarily occupying urban centers. The rural-urban divide in America has become so big it’s dangerous — for our politics, and for democracy. And yet, just a few decades ago, this divide didn’t exist. Urban and rural areas voted pretty much in lockstep. And for Democrats to gain power again, they’ll need to figure out how to win some of those voters back.
So how did the Democratic Party lose rural voters? And what could they do to win their votes back?
Suzanne Mettler is a political scientist at Cornell University and the co-author with Trevor E. Brown of the new book “Rural Versus Urban: The Growing Divide That Threatens Democracy.”
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Will Peischel. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Michelle Harris, Marina King, Emma Kehlbeck and Jan Kobal. Original music by Isaac Jones, Carole Sabouraud, and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
On reçoit l'essayiste et romancier Yvon Rivard qui vient de publier La mort, la vie toujours recommencée. Essai sur l’au-delà de la violence, un essai où l'auteur nous invite à renouer avec notre finitude pour apprivoiser la mort et surtout, pour tenter d'imaginer une sortie de la violence et une humanité renouvelée.On reçoit également Debbie Lynch-White qui signe et met en scène sa première création théâtrale, L'usure de nos aurores qui place la violence au coeur d'une relation amoureuse entre
On reçoit l'essayiste et romancier Yvon Rivard qui vient de publier La mort, la vie toujours recommencée. Essai sur l’au-delà de la violence, un essai où l'auteur nous invite à renouer avec notre finitude pour apprivoiser la mort et surtout, pour tenter d'imaginer une sortie de la violence et une humanité renouvelée.
On reçoit également Debbie Lynch-White qui signe et met en scène sa première création théâtrale, L'usure de nos aurores qui place la violence au coeur d'une relation amoureuse entre 2 femmes.
Et avec Jess Legault de la FQPN et Laurence Guénette de la Ligue des droits et libertés, on s'inquiète des finalités diffuses du nouveau projet de constitution du gouvernement caquiste.
Every Israeli-Palestinian peace deal has failed. Could Trump’s be any different?On Oct. 10, the Israeli cabinet approved a cease-fire deal brokered by the Trump administration, Turkey and Qatar. Since then, the living Israeli hostages have come home. Nearly 2,000 Palestinian prisoners in Israel have been freed. Israeli forces have partially withdrawn from the Gaza Strip, and they’re allowing in more desperately needed aid. This is finally, hopefully, the end of this war.But that was just the fir
Every Israeli-Palestinian peace deal has failed. Could Trump’s be any different?
On Oct. 10, the Israeli cabinet approved a cease-fire deal brokered by the Trump administration, Turkey and Qatar. Since then, the living Israeli hostages have come home. Nearly 2,000 Palestinian prisoners in Israel have been freed. Israeli forces have partially withdrawn from the Gaza Strip, and they’re allowing in more desperately needed aid. This is finally, hopefully, the end of this war.
But that was just the first part of the deal. The next phase is a lot more ambitious — and ambiguous. And while President Trump said the region would now “live, God willing, in peace for all eternity,” history would suggest otherwise.
Robert Malley has worked on Middle East policy under President Barack Obama, President Joe Biden and President Bill Clinton. Hussein Agha negotiated on the Palestinian side, working under both Yasir Arafat, the first president of the Palestinian Authority, and the P.A.’s current president, Mahmoud Abbas. Together they wrote a sweeping new history of attempts at peace, “Tomorrow Is Yesterday: Life, Death, and the Pursuit of Peace in Israel/Palestine.” They join me to examine what could go right — or wrong — as the rest of the deal takes shape.
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris and Jack McCordick. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Chris Wood and Ashley Clivery.
Eliezer Yudkowsky is as afraid as you could possibly be. He makes his case.Yudkowsky is a pioneer of A.I. safety research, who started warning about the existential risks of the technology decades ago, – influencing a lot of leading figures in the field. But over the last couple of years, talk of an A.I. apocalypse has become a little passé. Many of the people Yudkowsky influenced have gone on to work for A.I. companies, and those companies are racing ahead to build the superintelligent systems
Eliezer Yudkowsky is as afraid as you could possibly be. He makes his case.
Yudkowsky is a pioneer of A.I. safety research, who started warning about the existential risks of the technology decades ago, – influencing a lot of leading figures in the field. But over the last couple of years, talk of an A.I. apocalypse has become a little passé. Many of the people Yudkowsky influenced have gone on to work for A.I. companies, and those companies are racing ahead to build the superintelligent systems Yudkowsky thought humans should never create. But Yudkowsky is still out there sounding the alarm. He has a new book out, co-written with Nate Soares, “If Anyone Builds It, Everyone Dies,” trying to warn the world before it’s too late.
So what does Yudkowsky see that most of us don’t? What makes him so certain? And why does he think he hasn’t been able to persuade more people?
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Helen Toner and Jeffrey Ladish.
The government shutdown is the Democrats’ first big strategic bet of Trump’s term.Not everyone in the party agreed that shutting down the government was the right move or that health care was the right message. So why did they ultimately pick this fight? What are the risks? And what could Democrats learn here that might help shape their strategy for the midterms and beyond?Jon Favreau, a former Obama speechwriter and a current co-host of “Pod Save America,” joins me to discuss.Mentioned:"Off Mes
The government shutdown is the Democrats’ first big strategic bet of Trump’s term.
Not everyone in the party agreed that shutting down the government was the right move or that health care was the right message. So why did they ultimately pick this fight? What are the risks? And what could Democrats learn here that might help shape their strategy for the midterms and beyond?
Jon Favreau, a former Obama speechwriter and a current co-host of “Pod Save America,” joins me to discuss.
This episode of “The Ezra Klein Show” was produced by Annie Galvin and Jack McCordick. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Cet épisode est la captation devant public de l'épisode-cabaret enregistrée au Ausgang Plaza jeudi le 9 octobre 2025 afin de souligner 25 ans de recherche à l'IRIS. En plus d'accueillir les chercheuses et chercheurs Maxime Fortin, Julia Posca, Philippe Hurteau, Bertrand Schepper, Anne Plourde, Guillaume Hébert et Eve-Lyne Couturier à la co-animation, l'épisode-cabaret met en vedette les humoristes Coralie LaPerrière, Xavier Boisrond ainsi que l'autrice Kev Lambert.Un épisode qui célèbre la ri
Cet épisode est la captation devant public de l'épisode-cabaret enregistrée au Ausgang Plaza jeudi le 9 octobre 2025 afin de souligner 25 ans de recherche à l'IRIS.
There’s a serious high-stakes policy fight at the heart of this.The Democrats didn’t pick a fight over authoritarianism or tariffs or masked immigration agents in the streets. They picked one over health care. And the issue here is very real. Huge health insurance subsidies passed under President Joe Biden are set to expire at the end of this year, threatening to make health care premiums skyrocket and kick millions off their insurance.Neera Tanden was one of the architects of the Affordable Car
There’s a serious high-stakes policy fight at the heart of this.
The Democrats didn’t pick a fight over authoritarianism or tariffs or masked immigration agents in the streets. They picked one over health care. And the issue here is very real. Huge health insurance subsidies passed under President Joe Biden are set to expire at the end of this year, threatening to make health care premiums skyrocket and kick millions off their insurance.
Neera Tanden was one of the architects of the Affordable Care Act and has worked in Democratic policymaking for decades. She is the president of the Center for American Progress and was a director of Biden’s Domestic Policy Council. I asked her on the show to lay out the policy stakes of the shutdown and what a deal might look like.
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Dans cet épisode, c'est le retour de Godefroy Laurendeau qui invite la balado chez lui pour sa première chronique de la saison. En 2ème partie d'épisode, Fred partage ses réflexions sur la couverture médiatique autour de Charlie Kirk et sur le concept élastique de liberté d'expression.
Dans cet épisode, c'est le retour de Godefroy Laurendeau qui invite la balado chez lui pour sa première chronique de la saison. En 2ème partie d'épisode, Fred partage ses réflexions sur la couverture médiatique autour de Charlie Kirk et sur le concept élastique de liberté d'expression.
Brian Eno’s music opens up worlds I love to step into during trying times. And this conversation with Eno did the same thing.Eno is a trailblazing musician and producer who’s worked on seminal records by U2, David Bowie, the Talking Heads and Coldplay, among others. But Eno isn’t just a great collaborator with other artists; he’s also a great collaborator with machines. He’s been experimenting with music technology for decades. Long before we started worrying about ChatGPT replacing human creati
Brian Eno’s music opens up worlds I love to step into during trying times. And this conversation with Eno did the same thing.
Eno is a trailblazing musician and producer who’s worked on seminal records by U2, David Bowie, the Talking Heads and Coldplay, among others. But Eno isn’t just a great collaborator with other artists; he’s also a great collaborator with machines. He’s been experimenting with music technology for decades. Long before we started worrying about ChatGPT replacing human creativity, Eno was tinkering with generative systems to pioneer ambient music – a genre that has deeply influenced how we listen to music today. Eno’s use (and playful misuse) of technology has expanded the possibilities of what music and sound can be.
Many of you emailed in asking for a break from the news. Here it is.
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Mary Marge Locker, Kate Sinclair and Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. Transcript editing by Sarah Murphy. The director of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Alyssa Jane Moxley, Sophie Abramowitz, Geeta Dayal, Jack Hamilton and Victor Szabo.
The writer Ta-Nehisi Coates was harshly critical of my response to Charlie Kirk’s assassination. In an article in Vanity Fair, he suggested I was whitewashing Kirk’s legacy, comparing it to the whitewashing of the Southern cause after the Civil War.So I wanted to have Coates on the show to talk out our disagreement, as well as some deeper questions that I think exist underneath it about the work of politics.What should the left do about the fact that so many Americans share Kirk’s views? What ki
The writer Ta-Nehisi Coates was harshly critical of my response to Charlie Kirk’s assassination. In an article in Vanity Fair, he suggested I was whitewashing Kirk’s legacy, comparing it to the whitewashing of the Southern cause after the Civil War.
So I wanted to have Coates on the show to talk out our disagreement, as well as some deeper questions that I think exist underneath it about the work of politics.
What should the left do about the fact that so many Americans share Kirk’s views? What kinds of disagreements should we try to bridge? When is that work moral and necessary, and when is it a betrayal?
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. Transcript editing by Sarah Murphy. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Dans cet épisode, on reçoit Pierre "doc' Landry qui a publié chez Septentrion: Plume, Pierrot et moi: La véritable histoire de la Sainte Trinité.Acteur et témoin de la contre-culture québécoise de la fin des années 60 et du début des années 70, Pierre "doc" Landry nous raconte son parcours qui va le mener du collège classique à la Gaspésie contestataire des années 60 et jusqu’à l’underground musical du début des années 70 à Montréal en compagnie de Plume Latraverse!Crédit photo: Michel Gauthier
Dans cet épisode, on reçoit Pierre "doc' Landry qui a publié chez Septentrion: Plume, Pierrot et moi: La véritable histoire de la Sainte Trinité.
Acteur et témoin de la contre-culture québécoise de la fin des années 60 et du début des années 70, Pierre "doc" Landry nous raconte son parcours qui va le mener du collège classique à la Gaspésie contestataire des années 60 et jusqu’à l’underground musical du début des années 70 à Montréal en compagnie de Plume Latraverse!
This is McCarthyism 2.0. Since Charlie Kirk’s assassination, the Trump administration has been speed-running an attack on the “radical left.” And the tactics it has been using are darkly reminiscent of the Red Scare of the 1940s and ’50s. So what can that period teach us about the current moment and what the Trump administration might do next? How far could this go? Corey Robin is a political theorist at Brooklyn College. He’s an expert on McCarthyism and the author of the book “The Reactionary
Since Charlie Kirk’s assassination, the Trump administration has been speed-running an attack on the “radical left.” And the tactics it has been using are darkly reminiscent of the Red Scare of the 1940s and ’50s. So what can that period teach us about the current moment and what the Trump administration might do next? How far could this go?
Corey Robin is a political theorist at Brooklyn College. He’s an expert on McCarthyism and the author of the book “The Reactionary Mind,” one of the most insightful books you can read on the Trumpist right. In this conversation, he walks through what happened in the first and second Red Scares and what made him start worrying about the Trump administration.
This episode of “The Ezra Klein Show” was produced by Jack McCordick and Annie Galvin. Fact-checking by Kelsey Kudak. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Beverly Gage and Clay Risen.
Dans ce 1er épisode de la saison 8, on fait un arrêt à Québec dans le cadre du FCVQ pour passer une heure avec la directrice de la programmation et chroniqeuse-vedette de la balado Helen Faradji mais aussi avec la femme politique et ex-humoriste Agnès Maltais. La cadre de la discussion, ce sont On 3 documentaires percutants où la perspective des femmes est central:An American Pastoral de Auberi EdlerGirls & Gods de Arash T. Riahi et Verena SoltizCo-existence my ass de Amber FaresDe plus, on
Dans ce 1er épisode de la saison 8, on fait un arrêt à Québec dans le cadre du FCVQ pour passer une heure avec la directrice de la programmation et chroniqeuse-vedette de la balado Helen Faradji mais aussi avec la femme politique et ex-humoriste Agnès Maltais. La cadre de la discussion, ce sont On 3 documentaires percutants où la perspective des femmes est central:
An American Pastoral de Auberi Edler
Girls & Gods de Arash T. Riahi et Verena Soltiz
Co-existence my ass de Amber Fares
De plus, on profite de la présence d'Agnès Maltais pour discuter de l’humour féministe des Folles Alliées, dont elle a fait partie et qui a marqué le Québec des années 80.
The Utah governor is trying to model a different kind of leadership in a very dangerous political moment.The Trump administration seems intent on using the assassination of Charlie Kirk to crack down on what it calls “the radical left.” But Spencer Cox doesn’t believe that suppression will make Americans safer.For years now, Cox has been thinking seriously about our toxic political culture and what the path out of it could be. So I wanted to have him on the show to talk about how he responded in
The Utah governor is trying to model a different kind of leadership in a very dangerous political moment.
The Trump administration seems intent on using the assassination of Charlie Kirk to crack down on what it calls “the radical left.” But Spencer Cox doesn’t believe that suppression will make Americans safer.
For years now, Cox has been thinking seriously about our toxic political culture and what the path out of it could be. So I wanted to have him on the show to talk about how he responded in the hours and days after the shooting, what it has left him thinking about and what he thinks we should do now.
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact checking by Michelle Harris, Kate Sinclair and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Roger McDonough.
This is an episode in two parts. First, my thoughts on Charlie Kirk’s murder, now that I’ve had a few days to process it, and to see the unfolding reactions and responses on both sides. Then a conversation with Ben Shapiro — one that was recorded shortly before Kirk’s assassination, but that has a different significance after it.This episode contains strong language.Mentioned:“Charlie Kirk Was Practicing Politics the Right Way” by Ezra KleinDominion by Tom Holland“What J.D. Vance Believes” by Ro
This is an episode in two parts. First, my thoughts on Charlie Kirk’s murder, now that I’ve had a few days to process it, and to see the unfolding reactions and responses on both sides. Then a conversation with Ben Shapiro — one that was recorded shortly before Kirk’s assassination, but that has a different significance after it.
Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Annie Galvin and Elias Isquith. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Carole Sabouraud, Sonia Herrero and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
In a few weeks the government’s funding will run out. If Democrats vote for a new spending bill, they will be funding Trump’s autocratic takeover. What should they do?Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.htmlThis column read was produced by our execut
In a few weeks the government’s funding will run out. If Democrats vote for a new spending bill, they will be funding Trump’s autocratic takeover. What should they do?
Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.
This column read was produced by our executive producer, Claire Gordon. Fact-checking by Jack McCordick. Our senior engineer is Jeff Geld, with mixing by Aman Sahota. The show’s production team also includes Marie Cascione, Annie Galvin, Michelle Harris, Rollin Hu, Kristin Lin, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Trump was losing in the courts. He’s not anymore.In the early months of the administration, the courts were proving a powerful check on President Trump, blocking many of his boldest actions. But those were the lower courts. In the past few months, the Supreme Court has weighed in, and it has handed Trump win after win after win.So what do these decisions enable the president to do? And why is the Supreme Court giving Trump what he wants?To pull all this apart, I’m joined by Kate Shaw. She is a f
In the early months of the administration, the courts were proving a powerful check on President Trump, blocking many of his boldest actions. But those were the lower courts. In the past few months, the Supreme Court has weighed in, and it has handed Trump win after win after win.
So what do these decisions enable the president to do? And why is the Supreme Court giving Trump what he wants?
To pull all this apart, I’m joined by Kate Shaw. She is a former Supreme Court law clerk, a professor at the University of Pennsylvania Carey Law School and a host of the “Strict Scrutiny” podcast.
Note: This episode was recorded on Aug. 21, before Trump announced his intention to fire Lisa Cook from the Federal Reserve Board of Governors and before Immigration and Customs Enforcement re-arrested Kilmar Armando Abrego Garcia and began processing him for deportation to Uganda.
This episode of “The Ezra Klein Show” was produced by Elias Isquith. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld. Mixing by Isaac Jones and Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Elias Isquith, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Josh Chafetz.
Pour le 60e épisode du balado Cyber Citoyen on fait une petite mise à jour de la saga de l'application Tea et comment son fondateur a utilisé des méthodes douteuses pour promouvoir son application. Les fouilles de téléphones augmentent à la frontière américaine et Cellebrite fait du marketing.Une campagne de phishing cible les développeur·euses de Add-ons pour Firefox. Une flotte de navires iraniens ciblé par une cyberattaque.Animation: Catherine Dupont-GagnonMontage: Sam HarperIndicatif Sonore:
Pour le 60e épisode du balado Cyber Citoyen on fait une petite mise à jour de la saga de l'application Tea et comment son fondateur a utilisé des méthodes douteuses pour promouvoir son application.
ICE now has the biggest budget of any law enforcement agency in America.“ICE and Customs and Border Protection have long been the most rogue, kind of renegade and certainly pro-Trump police agencies in the federal government,” explained Radley Balko, a journalist who’s covered policing for decades. “What I think we are seeing right now is Trump is attempting to build his own paramilitary force. They want people whose first, ultimate loyalty in this job is going to be to the president.”Balko is t
ICE now has the biggest budget of any law enforcement agency in America.
“ICE and Customs and Border Protection have long been the most rogue, kind of renegade and certainly pro-Trump police agencies in the federal government,” explained Radley Balko, a journalist who’s covered policing for decades. “What I think we are seeing right now is Trump is attempting to build his own paramilitary force. They want people whose first, ultimate loyalty in this job is going to be to the president.”
Balko is the author of “Rise of the Warrior Cop: The Militarization of America’s Police Forces.” And he’s been tracking the changes at ICE and the Trump administration’s escalating law-and-order tactics on his excellent newsletter, The Watch.
This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Will Peischel. Our senior engineer is Jeff Geld. Mixing by Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Michelle Harris, Rollin Hu, Elias Isquith, Kristin Lin, Aman Sahota, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
“Make America Healthy Again” is a great idea — somebody should try it.A lot of the concerns animating the MAHA movement — chronic disease, the unhealthiness of the American diet, how profits warp our health care system — are serious issues. But Robert F. Kennedy Jr. hasn’t taken major actions to address them. Instead he’s gutted funding for scientific research, including nearly $500 million dedicated to mRNA vaccine development, throwing a huge amount of possibly lifesaving research in limbo.How
“Make America Healthy Again” is a great idea — somebody should try it.
A lot of the concerns animating the MAHA movement — chronic disease, the unhealthiness of the American diet, how profits warp our health care system — are serious issues. But Robert F. Kennedy Jr. hasn’t taken major actions to address them. Instead he’s gutted funding for scientific research, including nearly $500 million dedicated to mRNA vaccine development, throwing a huge amount of possibly lifesaving research in limbo.
How did we get here? What are the politics that allowed Donald Trump to preside over Operation Warp Speed, the single most successful pandemic mitigation policy, and then turn around a few years later to appoint Kennedy to undo it all?
My colleague David Wallace-Wells has done incredible reporting on how pandemic policies have shaped our politics, culture and society. Rachael Bedard is a physician and a writer who has been thinking deeply about what MAHA represents and where the movement could find common ground with its critics.
This episode of “The Ezra Klein Show” was produced by Annie Galvin and Jack McCordick. Fact-checking by Michelle Harris, with Kate Sinclair and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Elias Isquith, Kristin Lin, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Dr. Sunil Patel and Dr. Andrew Gabrielson.
I do my best to respond to your critiques of some of our recent episodes.We got an overwhelming response to my interviews with the Palestinian activist Mahmoud Khalil, the national conservativism theorist Yoram Hazony and the human rights lawyer Philippe Sands on whether Israel is committing genocide in Gaza. So in this subscriber-only Ask Me Anything I answer some of the biggest critiques we received, as well as other listener questions on the Democratic Party’s political strategy, how the idea
I do my best to respond to your critiques of some of our recent episodes.
We got an overwhelming response to my interviews with the Palestinian activist Mahmoud Khalil, the national conservativism theorist Yoram Hazony and the human rights lawyer Philippe Sands on whether Israel is committing genocide in Gaza. So in this subscriber-only Ask Me Anything I answer some of the biggest critiques we received, as well as other listener questions on the Democratic Party’s political strategy, how the ideas in “Abundance” are rippling out in the world and the strange experience I had doing a Munk Debate.
Thank you to everyone who sent in questions. And if you aren’t a New York Times subscriber but would like to be, just go to nytimes.com/subscription.
This episode of “The Ezra Klein Show” was produced by Claire Gordon and Kristin Lin. Fact checking by Michelle Harris, Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Elias Isquith, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Pour ce 60e épisode du balado Cyber Citoyen, nous sommes une fois de plus rejoins par notre ami Nicolas-Loïc Fortin du balado Polysécure. Cette fois-ci, un sujet un peu hors de notre habitude. Nous allons aborder le fameux dossier Jeffrey Epstein: son histoire, l'enquête et l'arrestation de 2005, la sentence bonbon, sa seconde arrestation en 2019, les circonstances de son décès, ses liens avec Donald Trump et la débâcle actuelle.En plus, cette histoire nous permet d'aborder la pyramide de la con
Pour ce 60e épisode du balado Cyber Citoyen, nous sommes une fois de plus rejoins par notre ami Nicolas-Loïc Fortin du balado Polysécure.
Cette fois-ci, un sujet un peu hors de notre habitude. Nous allons aborder le fameux dossier Jeffrey Epstein: son histoire, l'enquête et l'arrestation de 2005, la sentence bonbon, sa seconde arrestation en 2019, les circonstances de son décès, ses liens avec Donald Trump et la débâcle actuelle.
En plus, cette histoire nous permet d'aborder la pyramide de la conspiration, de discuter des sources et de la vérification de celles-ci en journalisme et d'autres sujets.
What is going on with the economy right now?There are a lot of mixed signals. President Trump slashed taxes, but he’s also bringing in a lot of money through tariffs. Inflation is creeping up, but the stock market keeps rising. Eye-wateringly large investments are flowing to A.I., which could lead to an explosion of productivity but also mass job loss. And then Trump fired the head of the Bureau of Labor Statistics after a disappointing jobs report, raising concerns that the government’s data on
There are a lot of mixed signals. President Trump slashed taxes, but he’s also bringing in a lot of money through tariffs. Inflation is creeping up, but the stock market keeps rising. Eye-wateringly large investments are flowing to A.I., which could lead to an explosion of productivity but also mass job loss. And then Trump fired the head of the Bureau of Labor Statistics after a disappointing jobs report, raising concerns that the government’s data on the economy might get shakier.
Natasha Sarin is the president and a founder of the Budget Lab at Yale. She has been tracking these trends and modeling the potential economic effects of many of Trump’s policies. I invited her on the show to walk through what she is thinking about the economy.
Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Elias Isquith, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota, Carole Sabouraud and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Katharine Abraham, Skanda Amarnath, Kimberly Clausing, Kathryn Anne Edwards, Matthew Klein, and Claudia Sahm.
In December 2023, when South Africa accused Israel of genocide before the International Court of Justice, I thought it was wrong to do so. Israel had been attacked. Its defense was legitimate. The blood was on Hamas’s hands.But over the last year, I have watched a slew of organizations and scholars arrive at the view that whatever Israel’s war on Gaza began as, its mass assault on Palestinian civilians fits the definition of genocidal violence. This is a view now held by Amnesty International, B
In December 2023, when South Africa accused Israel of genocide before the International Court of Justice, I thought it was wrong to do so. Israel had been attacked. Its defense was legitimate. The blood was on Hamas’s hands.
But over the last year, I have watched a slew of organizations and scholars arrive at the view that whatever Israel’s war on Gaza began as, its mass assault on Palestinian civilians fits the definition of genocidal violence. This is a view now held by Amnesty International, B’Tselem, Human Rights Watch, and the president of the International Association of Genocide Scholars, among many others
One reason I have stayed away from the word genocide is that there is an imprecision at its heart. When people use the word genocide, I think they imagine something like the Holocaust: the attempted extermination of an entire people. But the legal definition of genocide encompasses much more than that.
So what is a genocide? And is this one?
Philippe Sands is a lawyer who’s worked on a number of genocide cases. He is the author of, among other books, “East West Street,” about how the idea of genocide was developed and written into international law. He is the best possible guide to the hardest possible topic.
This episode of “The Ezra Klein Show” was produced by Jack McCordick and Annie Galvin. Fact-checking by Michelle Harris, with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Elias Isquith, Kristin Lin, Marina King and Jan Kobal. Original music by Marian Lozano, Dan Powell, Carole Sabouraud and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Mahmoud Khalil was a leader in Columbia University’s pro-Palestinian protests. In March, he was arrested by ICE agents and held for more than 100 days in a Louisiana detention facility. The Trump administration claims Khalil is deportable — even though he has a green card, married to a U.S. citizen — because he poses a threat to U.S. foreign policy goals.Khalil’s alleged offense here is speech.Khalil is out now on bail, and he’s still speaking. I wanted to hear what he had to say.Mentioned:A Let
Mahmoud Khalil was a leader in Columbia University’s pro-Palestinian protests. In March, he was arrested by ICE agents and held for more than 100 days in a Louisiana detention facility. The Trump administration claims Khalil is deportable — even though he has a green card, married to a U.S. citizen — because he poses a threat to U.S. foreign policy goals.
Khalil’s alleged offense here is speech.
Khalil is out now on bail, and he’s still speaking. I wanted to hear what he had to say.
This episode of “The Ezra Klein Show” was produced by Rollin Hu and Jack McCordick. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Elias Isquith, Kristin Lin, Marina King and Jan Kobal. Original music by Carole Sabouraud, Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Dans cet épisode on discute de:Une, non deux, brèches dans l'application TeaSam Altman dit quelque chose de bienAprès avoir instauré la vérification d'âge sur Internet, le Royaume-Uni songe à bannir les VPNsChaos ransomware se fait saisir ses bitcoinsAnimation: Catherine Dupont-GagnonMontage: Sam HarperIndicatif sonore: DJ MutanteCrédit photo: Clarissa Carbungco Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Vice President JD Vance gave a speech recently that deserved more attention than it got. Accepting an award at a right-wing think tank, he argued that there’s a fundamental brokenness in how we define who is an American. He explained that this is the root of many of our country’s problems: a national identity that has become too broad.That was also a core idea of the 2018 book “The Virtue of Nationalism,” which caused a sensation on the right. Its author, the Israeli political theorist Yoram Haz
Vice President JD Vance gave a speech recently that deserved more attention than it got. Accepting an award at a right-wing think tank, he argued that there’s a fundamental brokenness in how we define who is an American. He explained that this is the root of many of our country’s problems: a national identity that has become too broad.
That was also a core idea of the 2018 book “The Virtue of Nationalism,” which caused a sensation on the right. Its author, the Israeli political theorist Yoram Hazony, went on to build a movement. For years, he has hosted NatCon — short for National Conservatism — conferences. Those events have featured speakers like Marco Rubio, who is now the secretary of state, and Senator Josh Hawley. And one of the most reliable speakers, year after year, has been Vance.
I wanted to talk to Hazony. What exactly is his argument, his worldview? And are the Trump administration’s policies putting it into practice?
This episode of “The Ezra Klein Show” was produced by Elias Isquith. Fact-checking by Will Peischel. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Michelle Harris, Rollin Hu, Marina King, Jan Kobal, Kristin Lin and Jack McCordick. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
“It’s so insidious, people don’t realize it,” Barbara Kingsolver told me, describing the prejudice against “country people.” Kingsolver is one of those “country people,” as well as a literary legend in her own time, who set out to write the “great Appalachian novel.” And I think she did. “Demon Copperhead” won the Pulitzer Prize in 2023, and we taped this conversation later that year. And I wanted to re-air it because the divide between rural and urban America remains just as strong today, and a
“It’s so insidious, people don’t realize it,” Barbara Kingsolver told me, describing the prejudice against “country people.” Kingsolver is one of those “country people,” as well as a literary legend in her own time, who set out to write the “great Appalachian novel.” And I think she did.
“Demon Copperhead” won the Pulitzer Prize in 2023, and we taped this conversation later that year. And I wanted to re-air it because the divide between rural and urban America remains just as strong today, and as relevant to our politics. And Kingsolver might be the country’s sharpest and most poignant observer of it.
This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Mixing by Sonia Herrero, with Aman Sahota.
Our senior engineer is Jeff Geld. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Elias Isquith, Marina King, Jan Kobal, Kristin Lin and Jack McCordick. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Biden passed the most ambitious climate legislation in American history. Trump just shredded it. What does that mean for the future of renewable energy in America? Where does the climate movement go from here? And is it too late for us to avert climate catastrophe? To answer these questions, I invited onto the show two climate experts: Jesse Jenkins, who is a leading climate modeler and a professor at Princeton University, where he runs the Princeton ZERO Lab, and Jane Flegal, who is the executi
Biden passed the most ambitious climate legislation in American history. Trump just shredded it. What does that mean for the future of renewable energy in America? Where does the climate movement go from here? And is it too late for us to avert climate catastrophe?
To answer these questions, I invited onto the show two climate experts: Jesse Jenkins, who is a leading climate modeler and a professor at Princeton University, where he runs the Princeton ZERO Lab, and Jane Flegal, who is the executive director of the Blue Horizons Foundation and served on the Biden administration’s climate policy team.
We discuss how far Trump’s policies have set us back, the lessons the climate movement should learn from this loss and what the next wave of climate politics may look like.
Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Rollin Hu and Jack McCordick. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Elias Isquith, Marina King, Jan Kobal and Kristin Lin. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
The consensus that held American Jewry together for generations is breaking down. That consensus, roughly, was this: What is good for Israel is good for the Jews; anti-Zionism is a form of antisemitism; and there will someday soon be a two-state solution that reconciles Zionism and liberalism — or, at the very least, Israel is seeking such a solution.Every single component of that consensus has cracked. And as I've been talking to people from different walks of American Jewish life — politicians
The consensus that held American Jewry together for generations is breaking down.
That consensus, roughly, was this: What is good for Israel is good for the Jews; anti-Zionism is a form of antisemitism; and there will someday soon be a two-state solution that reconciles Zionism and liberalism — or, at the very least, Israel is seeking such a solution.
Every single component of that consensus has cracked. And as I've been talking to people from different walks of American Jewish life — politicians and rabbis and activists and analysts and journalists — what I realize is there is nothing coming in to replace it.
This column read for “The Ezra Klein Show” was produced by our executive producer, Claire Gordon, and Marie Cascione. Fact-checking by Jack McCordick and Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. The show’s production team also includes Annie Galvin, Rollin Hu, Elias Isquith, Marina King, Jan Kobal, Kristin Lin and Aman Sahota. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Pour cet épisode du balado Cyber Citoyen, nous sommes accompagné de notre ami NLF du balado Polysécure pour revenir sur les actualités qui ont attiré notre attention.Au menu: Grok, l'IA intégrée au site X, a sérieusement dérapé.WeTransfer nous explique nous avons mal compris ce qu'ils avaient clairement dit.Une vulnérabilité qui affecte les trains obtient un CVE des années après avoir été découverte.Trump semble avoir perdu l'appui d'une partie de sa base conspirationniste.Animation: Nicolas-Loï
Pour cet épisode du balado Cyber Citoyen, nous sommes accompagné de notre ami NLF du balado Polysécure pour revenir sur les actualités qui ont attiré notre attention.
Au menu:
Grok, l'IA intégrée au site X, a sérieusement dérapé.
WeTransfer nous explique nous avons mal compris ce qu'ils avaient clairement dit.
Une vulnérabilité qui affecte les trains obtient un CVE des années après avoir été découverte.
Trump semble avoir perdu l'appui d'une partie de sa base conspirationniste.
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